Arnold's Library of the Fine Arts, Volume 3M.Arnold, 1832 - Art |
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Page 11
... compositions and views were admired for their classic ameni- ties ; they were eminently chaste , in tone and effect , and mainly contri- buted to do away that unmeaning and erroneous mode of colouring and hard style of execution which ...
... compositions and views were admired for their classic ameni- ties ; they were eminently chaste , in tone and effect , and mainly contri- buted to do away that unmeaning and erroneous mode of colouring and hard style of execution which ...
Page 12
... compositions , descriptive of the mountain regions of Cumberland , Westmoreland and North Wales , produced about the same period , were rendered with that truth and simplicity of pure aërial tone united with more vigour of effect ...
... compositions , descriptive of the mountain regions of Cumberland , Westmoreland and North Wales , produced about the same period , were rendered with that truth and simplicity of pure aërial tone united with more vigour of effect ...
Page 15
... composition , as even one , indeed , would occupy too much of the surface of a pic- ture ; but when thus judiciously represented in masses , as by this in- comparable artist , they mainly contribute to adorn the landscape . The amateur ...
... composition , as even one , indeed , would occupy too much of the surface of a pic- ture ; but when thus judiciously represented in masses , as by this in- comparable artist , they mainly contribute to adorn the landscape . The amateur ...
Page 16
... composition of the homestead , he made separate studies of certain parts , particularly of a group of willows , which were wrought by his pencil with exquisite truth and mastery ; these form the chief beauty of the back - ground of the ...
... composition of the homestead , he made separate studies of certain parts , particularly of a group of willows , which were wrought by his pencil with exquisite truth and mastery ; these form the chief beauty of the back - ground of the ...
Page 17
... composition , colouring , light and shade , and suscep . tible of a great degree of expression or character ; and not what it has too generally become , -a mere jumble of natural objects put together at the caprice of the painter , with ...
... composition , colouring , light and shade , and suscep . tible of a great degree of expression or character ; and not what it has too generally become , -a mere jumble of natural objects put together at the caprice of the painter , with ...
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Common terms and phrases
admiration Albert Durer amateur Angelica Kauffman antique appear arches architect architecture artist beauty Benjamin West Bonington British building Bust Castle Cathedral Chapel character chiar'-oscuro Church colour composition copy crayons Design Ditto effect Elevation enamel engraving etching excellence execution exhibited expression feeling figures Frame Gainsborough Gallery genius Gentleman George George Barret Girtin Head Henry VIII House III.-No imagination imitation Italian James John Joseph Nollekens labour Lady Landscape light Liverseege look Lord manner marble Mary Moser master merit mind Miniatures nature object ornaments painter painting patronage Paul Sandby pencil perhaps picture placed Portrait Portraits miniatures possession principal racter Rembrandt Reynolds rich Richard Cosway Royal Academy Rubens Sandby scene sculpture Sir Joshua sketch society Society of Dilettanti specimens stained drawing student style supercolumniation talent taste Teniers Thomas Thomas Girtin tion Titian Venus View Villa water-colours whole William Young
Popular passages
Page 508 - Then Nebuchadnezzar came near to the mouth of the burning fiery furnace, and spake, and said, Shadrach, Meshach, and Abed-nego, ye servants of the most high God, come forth and come hither. Then Shadrach, Meshach, and Abednego, came forth of the midst of the fire.
Page 20 - So on he fares, and to the border comes Of Eden, where delicious Paradise, Now nearer, crowns with her enclosure green, As with a rural mound, the champaign head Of a steep wilderness, whose hairy sides With thicket overgrown, grotesque and wild, Access denied...
Page 421 - WHY weep ye by the tide, ladye, Why weep ye by the tide ? I'll wed ye to my youngest son, And ye shall be his bride : • • And ye shall be his bride, ladye, Sae comely to be seen." But aye she loot the tears down fa...
Page 301 - In the year 1734, some gentlemen who had travelled in Italy, desirous of encouraging at home a taste for those objects which had contributed so much to their entertainment abroad...
Page 402 - You must recollect, however, that I know nothing of painting ; and that I detest it, unless it reminds me of something I have seen, or think it possible to see...
Page 161 - Mr. Coney commenced another similar undertaking, half the size of the first work, intituled " Architectural Beauties of Continental Europe, in a Series of Views of remarkable edifices, civil and ecclesiastical, in France, the Low Countries, Germany, and Italy, engraved by J. Coney from his own drawings, taken on the spot, with descriptions and historical illustrations by HE Lloyd.
Page 293 - Your Committee cannot dismiss this interesting subject, without submitting to the attentive reflection of the House, how highly the cultivation of the Fine Arts has contributed to the reputation, character, and dignity of every Government by which they have been encouraged, and how intimately they are connected with the advancement of every thing valuable in science, literature, and philosophy.
Page 293 - But if it be true, as we learn from history and experience, that free Governments afford a soil most suitable to the production of native talents, to the maturity of the powers of the human mind, and to the growth of every species of excellence, by opening to merit the prospect of reward and distinction, — no country can be better adapted than our own to afford an...
Page 510 - ... such was the influence of his doctrine that the provost, bailies, and inhabitants harmoniously agreed to set up the reformed worship in the town. The church was stripped of all images and pictures, and the monasteries were pulled down.