There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar? Let us see how many things we can find out about this poem. The first thing we think of is that it tells a story-just one story, without any outside, disconnected incidents. Then we notice that the style is very simple, that the meter is easy and swinging, and that the last line of every stanza is almost like a refrain. There is one other thing: the author does not show in the poem at all; that is, the poem is strictly a story, without comments by the author or any expressed moral. This poem of Lochinvar belongs to a class of poems called ballads, all of which possess some, at least, of the characteristics which we have found in Lochinvar. All ballads do not have refrains, but all ballads do contain narratives in simple, often rude style. Most ballad stanzas have only four lines, though Scott uses six for this. The history of ballad poetry is very interesting. In all nations, it is believed, it has been the earliest form of poetry, and it is thought that the great heroic poems, such as the Cid of the Spaniards and the Nibelungenlied of the Germans, grew out of ballads. These early ballads were not written down; they were sung, or recited, and in thus being handed down by word of mouth, they underwent many changes, so that in time it could very well be said that a popular ballad had no one author-it belonged to all the people. ROBIN HOOD INTRODUCTION S to whether or not there ever was a Robin Hood, there is much uncertainty. Grave men have written grave books, some proving and some disproving his existence, but the question has never been settled. Some believe that he was a real outlaw; some believe that the stories about him were originally told about some elf of the woods, and that only gradually did he come to be looked upon as a man. However that may be, he is a very real character in literature. By no means all the writings about him are the grave books spoken of above. Stories, poems, dramas, operas have been written with him as the central figure; and these are so interesting that we take them for their own sakes, and trouble ourselves little about the identity of the hero. He seems real to us, and that is all we need to know. The mythical Robin Hood was an outlaw, the most gentlemanly and pious and liberal of outlaws, and he dwelt with his trained yeomen in Sherwood forest, Nottinghamshire, or in Barnsdale in Yorkshire. Here they lived a free and active life, subsisting on the King's deer which they shot in the woods, and on provisions which they took from travelers. Robin Hood never himself molested or allowed any of his followers to molest any poor travelers; indeed, if he was thoroughly convinced that any of those whom he met were really needy, he helped them gladly and generously. But from the rich knights and clergy he took without scruple. Chief of his followers were Little John, Scathlock or Scalock, Will Stutely, Friar Tuck, and Much, the Miller's son. The ballads which are given here relate to the first meeting of Robin Hood with Little John and with Scathlock, and give also two of his other characteristic adventures. Both the date and the authorship of the old ballads are unknown. According to the legends, Robin Hood lived to be over eighty years old and then met his death in a very treacherous manner. Feeling ill, he went to a prioress, who was a relative of his, to be bled, and the prioress, induced by Robin Hood's enemies, allowed him to bleed to death. ROBIN HOOD AND LITTLE JOHN HEN Robin Hood was about twenty years old, WHE With a hey down, down, and a down;1 A jolly brisk blade, right fit for the trade, Tho' he was called Little, his limbs they were large 1. This line means nothing; it is simply a refrain. The old ballads were usually sung or chanted, and many of those which are now printed without refrain lines undoubtedly had them originally. How they came acquainted, I'll tell you in brief, For Robin Hood said to his jolly bowmèn,2 And see that you all observe well my call, "We have had no sport for these fourteen long days, Therefore now abroad will I go. Now should I be beat, and cannot retreat, My horn I will presently blow." Then did he shake hands with his merry men all, Then, as near the brook his journey he took, They happen'd to meet on a long narrow bridge, With that from his quiver an arrow he drew, The stranger replied, "I'll liquor thy hide, 2. You will see that to make the meter right it is necessary to accent the word bowmen on the last syllable. These changes of accent often occur in ballads, and help to add to the quaintness and peculiarity of the old poems. Quoth bold Robin Hood, "Thou dost prate like an ass, For were I to bend my bow, I could send a dart quite thro' thy proud heart, "Thou talk'st like a coward," the stranger reply'd; "Well arm'd with a long bow you stand, To shoot at my breast, while I, I protest, “The name of a coward," quoth Robin, "I scorn, Then Robin Hood stept to a thicket of trees, Now this being done, away he did run "Lo! see my staff is lusty and tough, "With all my whole heart," the stranger reply'd, This said, they fell to't without more dispute, At first Robin he gave the stranger a bang, |