The works of Samuel Johnson, Volume 51824 |
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... sound to sense , often chimerical 128 93. The prejudices and caprices of criticism 138 94. An inquiry how far Milton has accommodated the sound to the sense 143 95. The history of Pertinax the sceptick 152 96. Truth , falsehood , and ...
... sound to sense , often chimerical 128 93. The prejudices and caprices of criticism 138 94. An inquiry how far Milton has accommodated the sound to the sense 143 95. The history of Pertinax the sceptick 152 96. Truth , falsehood , and ...
Page 2
... sounds , but do not understand them . Of this kind is the well - known and well - attested position , that life is short , which may be heard among mankind by an attentive auditor many times a day , but which never yet within my reach ...
... sounds , but do not understand them . Of this kind is the well - known and well - attested position , that life is short , which may be heard among mankind by an attentive auditor many times a day , but which never yet within my reach ...
Page 44
... sound infused into the ear . But our ideas are more subjected to choice ; we can call them before us , and command their stay , we can facilitate and promote their recurrence , we can either repress their intrusion , or hasten their ...
... sound infused into the ear . But our ideas are more subjected to choice ; we can call them before us , and command their stay , we can facilitate and promote their recurrence , we can either repress their intrusion , or hasten their ...
Page 92
... sounds , and more affected by the same words in one order than in another . The per- ception of harmony is indeed conferred upon men in degrees very unequal ; but there are none who do not perceive it , or to whom a regular series of ...
... sounds , and more affected by the same words in one order than in another . The per- ception of harmony is indeed conferred upon men in degrees very unequal ; but there are none who do not perceive it , or to whom a regular series of ...
Page 93
... sound or percussion at equal times , is the most complete harmony of which a single verse is capable , and should therefore be ex- actly kept in distichs , and generally in the last line of a paragraph , that the ear may rest without ...
... sound or percussion at equal times , is the most complete harmony of which a single verse is capable , and should therefore be ex- actly kept in distichs , and generally in the last line of a paragraph , that the ear may rest without ...
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Common terms and phrases
Ajax amusements Aristotle attention beauty Caprice celebrated censure charming company common considered contempt crimes critick curiosity danger delight Demochares desire dignity diligence discover domestick DRYDEN elegance endeavoured envy equally expected Falsehood fancy favour fear FEBRUARY 16 felicity flattered folly fortune frequently Gabba garret genius gratifications happiness heart honour hope hour human imagination inclination innu inquiry Jupiter justly kind knowledge labour ladies lady un learning lence less lives look mankind ment merate Milton mind miscarriage misery nature necessary negligence ness never numbers observed once opinion Ovid passed passions perhaps perpetual pleased pleasure praise pride publick racters RAMBLER reason regard reproach ruentes scarcely seldom sentiments sometimes soon sophisms sound species stancy suffer surely syllables terrour thing thought thousand tion truth turally vale of Tempe vanity verse Virgil virtue wisdom writers
Popular passages
Page 94 - Ordain'd by thee ; and this delicious place For us too large, where thy abundance wants Partakers, and uncropt falls to the ground. But thou hast promis'd from us two a race To fill the earth, who shall with us extol Thy goodness infinite, both when we wake, And when we seek, as now, thy gift of sleep.
Page 136 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar: When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow : Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 106 - Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Page 411 - Who dares think one thing, and another tell, My heart detests him as the gates of hell.
Page 120 - Olympian hill I soar, Above the flight of Pegasean wing ! The meaning, not the name, I call ; for thou Nor of the Muses nine, nor on the top Of old Olympus dwell'st ; but...
Page 119 - Adam, well may we labour still to dress This garden, still to tend plant, herb, and flower, Our pleasant task enjoin'd ; but, till more hands Aid us, the work under our labour grows, Luxurious by restraint ; what we by day Lop overgrown, or prune, or prop, or bind, One night or two with wanton growth derides, Tending to wild.
Page 60 - Whatsoever ye would that men should do unto you, even so do unto them ; for this is the law and the prophets.
Page 201 - Pleasure, commonly subsided by sensible degrees, contended long with the encroaching waters, and harassed themselves by labours that scarce Hope herself could flatter with success. As I was looking upon the various fate of the multitude about me, I was suddenly alarmed with an admonition from some unknown power : ' Gaze not idly upon others when thou thyself art sinking. Whence is this thoughtless tranquillity, when thou and they are equally endangered ? ' I looked, and seeing the gulf of Intemperance...
Page 118 - Urania, and fit audience find, though few. But drive far off the barbarous dissonance Of Bacchus and his revellers, the race Of that wild rout that tore the Thracian Bard In Rhodope, where woods and rocks had ears To rapture, till the savage clamour drowned Both harp and voice ; nor could the Muse defend Her son.
Page 93 - Here Love his golden shafts employs, here lights His constant lamp, and waves his purple wings, Reigns here and revels; not in the bought smile Of harlots — loveless, joyless, unendeared, Casual fruition; nor in court amours, Mixed dance, or wanton mask, or midnight ball, Or serenate, which the starved lover sings To his proud fair, best quitted with disdain.