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blooming wench touches their fancy, by an en- | I come now to the English, whom I shall treat deavour to recall youth into their cheeks, they with such meekness as becomes a good patriot; immediately overstrain their muscular features, and shall so far recommend this our island as and shrivel their countenance into this frightful a proper scene for pastoral, under certain regumerriment. lations, as will satisfy the courteous reader that I am in the landed interest.

The wag is of the same kind, and by the same artifice labours to support his impotence of wit: but he very frequently calls in the horselaugh to his assistance.

There are another kind of grinners, which the ancients call Megarics; and some moderns have, not injudiciously, given them the name of the Sneerers. These always indulge their mirth at the expense of their friends, and all their ridicule consists in unseasonable ill-nature. I could wish these laughers would consider, that let them do what they can, there is no laughing away their own follies by laughing at other people's.

The mirth of the tea-table is for the most part Megaric; and in visits the ladies themselves very seldom scruple the sacrificing a friendship to a laugh of this denomination.

The coquette hath a great deal of the Megaric in her; but, in short, she is a proficient in laughter, and can run through the whole exercise of the features; she subdues the formal lover with the dimple, accosts the fop with the smile, joins with the wit in the downright laugh, to vary the air of her countenance frequently rallies with the grin, and when she has ridiculed her lover quite out of his understanding, to complete his misfortunes, strikes him dumb with the horse-laugh.

The horse-laugh is a distinguishing charaoteristic of the rural hoyden, and it is observed to be the last symptom of rusticity that forsakes her under the discipline of the boarding-school. Punsters, I find, very much contribute towards the Sardonic, and the extremes of either wit or folly seldom fail of raising this noisy kind of applause. As the ancient physicians held the Sardonic laugh very beneficial to the lungs; I should, methinks, advise all my countrymen of consumptive and hectical constitutions to associate with the most facetious punsters of the age. Persius hath very elegantly described a Sardonic laugher in the following line, Ingeminat tremulos naso crispante cachinnos. Sat. iii. 87. Redoubled peals of trembling laughter bursts, Convulsing every feature of the face.

Laughter is a vent of any sudden joy that strikes upon the mind, which being too volatile and strong, breaks out in this tremor of the voice. The poets make use of this metaphor when they would describe nature in her richest dress, for beauty is never so lovely as when adorned with the smile, and conversation never sits easier upon us, than when we now and then discharge ourselves in a symphony of laughter, which may not improperly be called, The Chorus of Conversation.

No. 30.]

Wednesday, April 15, 1713.

-redeunt Saturnia Regna. Virg. Ecl. iv. 6.
-Saturnian times

Dryden.

I must in the first place observe, that our countrymen have so good an opinion of the ancients, and think so modestly of themselves, that the generality of pastoral writers have either stolen all from the Greeks and Romans, or so servilely imitated their manners and customs, as makes them very ridiculous. In looking over some English pastorals a few days ago, I perused at least fifty lean flocks, and reckoned up a hundred left-handed ravens, besides blasted oaks, withering meadows, and weeping deities. Indeed most of the occasional pastorals we have, are built upon one and the same plan. A shepherd asks his fellow, 'Why he is so pale? if his favourite sheep hath strayed? if his pipe be broken? or Phyllis unkind?' He answers, 'None of these misfortunes have befallen him, but one much greater, for Damon (or sometimes the god Pan) is dead.' This immediately causes the other to make complaints, and call upon the lofty pines and silver streams to join in the lamentation. While he goes on, his friend interrupts him, and tells him that Damon lives, and shows him a track of light in the skies to confirm it; then invites him to chesnuts and cheese. Upon this scheme most of the noble families in Great Britain have been comforted`; nor can I meet with any right honourable shepherd that duth not die and livo again, after the manner of the aforesaid Damon.

Having already informed my reader wherein the knowledge of antiquity may be serviceable, I shall now direct him where he may lawfully deviate from the ancients. There are some things of an established nature in pastoral, which are essential to it, such as a country scene, innocence, simplicity. Others there are of a changeable kind, such as habits, customs, and the like. The difference of the climate is also to be considered, for what is proper in Arcadia, or even in Italy, might be very absurd in a colder country. By the same rule, the difference of the soil, of fruits, and flowers, is to be observed. And in so fine a country as Britain, what occasion is there for that profu

sion of hyacinths and Pæstan roses, and that cornucopia of foreign fruits which the British shepherds never heard of? How much more pleasing is the following scene to an English

reader!

This place may seem for shepherds' leisure made,
So lovingly these elms unite their shade,
Th' ambitious woodbine, how it climbs to breathe
Its balmy sweets around on all beneath!
The ground with grass of cheerful green bespread,
Thro' which the springing flower uprears its head!
Lo, here the king-cup of a golden hue,
Medley'd with daisies white, and endive blue!
Hark! how the gaudy goldfinch and the thrush,
With tuneful warblings fill that bramble bush!
In pleasing concert all the birds combine,
And tempt us in the various song to join.'

The theology of the ancient pastoral is so very pretty, that it were pity entirely to change it; but I think that part only is to be retained THE Italians and French being despatched, which is universally known, and the rest to be

Roll round again.

made up out of our own rustical superstition | in any profitable discourse. I found her last of hob-thrushes, fairies, goblins, and witches. night sitting in the midst of her daughters, and The fairies are capable of being made very en- forming a very beautiful semicircle about the tertaining persons, as they are described by fire. I immediately took my place in an elbow several of our poets; and particularly by Mr. chair, which is always left empty for me in one Pope :

About this spring (if ancient fame say true)
The dapper elves their moon-light sports pursue,
Their pigmy king, and little fairy queen,
In circling dances gambol'd on the green,
While tuneful sprites a merry concert made,
And airy music warbled through the shade.'

What hath been said upon the difference of climate, soil, and theology, reaches the proverbial sayings, dress, customs and sports of shepherds. The following examples of our pastoral sports are extremely beautiful :

'Whilome did I, all as this poplar fair,
Upraise my heedless head, devoid of care,
'Mong rustic routs the chief for wanton game;
Nor could they merry make till Lobbin came.
Who better seen than I in shepherds' arts,
To please the lads, and win the lasses' hearts?
How deftly to mine oaten reed, so sweet,
Wont they upon the green to shift their feet?
And when the dance was done, how would they yearn
Some well devised tale from me to learn?
For many songs, and tales of mirth had I,
To chase the ling'ring sun adown the sky.'

-O now! if ever, bring

The laurel green, the smelling eglantine,
And tender branches from the mantling vine,
The dewy cowslip that in meadow grows,
The fountain violet, and garden rose:
Your hamlet strew, and every public way,
And consecrate to mirth Albino's day.
Myself will lavish all my little store:
And deal about the goblet flowing o'er:
Old Moulin there shall harp, young Mico sing,
And Cuddy dance the round amidst the ring,"
And Hobbinol his antic gambols play.'

The reason why.such changes from the ancients should be introduced is very obvious; namely, that poetry being imitation, and that imitation being the best which deceives the most easily, it follows that we must take up the customs which are most familiar, or universally known, since no man can be deceived or delighted with the imitation of what he is ignorant of. It is easy to be observed that these rules are drawn from what our countrymen Spenser and Philips have performed in this way. I shall not presume to say any more of them, than that both have copied and improved the beauties of the ancients, whose manner of thinking I would above all things recommend. As far as our language would allow them, they have formed a pastoral style according to the Doric of Theocritus, in which I dare not say they have excelled Virgil! but I may be allowed, for the honour of our language, to suppose it more capable of that pretty rusticity than the Latin. To their works I refer my reader to make observations upon the pastoral style; where he will sooner find that secret than from a folio of criticims.

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Our conversation fell insensibly upon the subject of happiness, in which every one of the young ladies gave her opinion, with that freedom and unconcernedness which they always use when they are in company only with their mother and myself.

Mrs. Jane declared, that she thought it the greatest happiness to be married to a man of merit, and placed at the head of a well-regu lated family. I could not but observe, that in her character of a man of merit, she gave us a lively description of Tom Worthy, who has long made his addresses to her. The sisters did not discover this at first, till she began to run down fortune in a lover, and, among the accomplishments of a man of merit, unluckily mentioned white teeth and black eyes.

Mrs. Annabella, after having rallied her sister upon her man of merit, talked much of conveniences of life, affluence of fortune, and easiness of temper, in one whom she should pitch upon for a husband. In short, though the baggage would not speak out, I found the sum of her wishes was a rich fool, or a man so turned to her purposes, that she might enjoy his fortune, and insult his understanding.

The romantic Cornelia was for living in a wood among choirs of birds, with zephyrs, echos, and rivulets, to make up the concert: she would not seem to include a husband in her scheme, but at the same time talked so passionately of cooing turtles, mossy banks, and beds of violets, that one might easily perceive she was not without thoughts of a companion in her solitudes.

Miss Betty placed her summum bonum in equipages, assemblies, balls, and birth-nights, talked in raptures of sir Edward Shallow's gilt coach, and my lady Tattle's room, in which she saw company; nor would she have easily given over, had she not observed that her mother appeared more serious than ordinary, and by her looks showed that she did not approve such a redundance of vanity and impertinence.

My favourite, the Sparkler, with an air of innocence and modesty, which is peculiar to her, said that she never expected such a thing as happiness, and that she thought the most any one could do was to keep themselves from being uneasy; for, as Mr. Ironside has often told us, says she, we should endeavour to be easy here, and happy hereafter: at the same time she begged me to acquaint them by what rules this ease of mind, or if I would please to call it happiness, is best attained.

My lady Lizard joined in the same request with her youngest daughter, adding, with a serious look, The thing seemed to her of so great consequence, that she hoped I would, for once, forget they were all women, and give my real thoughts of it with the same justness I would use among a company of my own sex. I complied with her desire, and communicated my sentiments to them on this subject as near as 1

can remember, pretty much to the following | applause, are also extremely subject to envy, the most painful as well as the most absurd of all passions.

purpose.

As nothing is more natural than for every one to desire to be happy, it is not to be wondered at that the wisest men in all ages have spent so much time to discover what happiness is, and wherein it chiefly consists. An eminent writer, named Varro, reckons up no less than two hundred and eighty-eight different opinions upon this subject; and another, called Lucian, after having given us a long catalogue of the notions of several philosophers, endeavours to show the absurdity of all of them, without establishing any thing of his own.

That which seems to have made so many err in this case, is the resolution they took to fix a man's happiness to one determined point; which I conceive cannot be made up but by the concurrence of several particulars.

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The surest means to attain that 'strength of mind,' and independent state of happiness I am here recommending, is a virtuous mind sufficiently furnished with ideas to support solitude, and keep up an agreeable conversation with itself. Learning is a very great help on this occasion, as it lays up an infinite number of notions in the memory, ready to be drawn out, and set in order upon any occasion. The mind often takes the same pleasure in looking over these her treasures, in augmenting and disposing them into proper forms, as a prince does in a review of his army.

At the same time I must own, that as a mind thus furnished, feels a secret pleasure in the consciousness of its own perfection, and is deI shall readily allow Virtue the first place, as lighted with such occasions as call upon it to try she is the mother of Content. It is this which its force, a lively imagination shall produce a calms our thoughts, and makes us survey our-pleasure very little inferior to the former in selves with ease and pleasure. Naked virtue, however, is not alone sufficient to make a man happy. It must be accompanied with at least a moderate provision of all the necessaries of life, and not ruffled and disturbed by bodily pains. A fit of the stone was sharp enough to make a stoic cry out, 'that Zeno, his master, taught him false, when he told him that pain was no evil.'

But, besides this, virtue is so far from being alone sufficient to make a man happy, that the excess of it in some particulars, joined to a soft and feminine temper, may often give us the deepest wounds, and chiefly contribute to render us uneasy. I might instance in pity, love, and friendship. In the two last passions it often happens, that we so entirely give up our hearts, as to make our happiness wholly depend upon another person; a trust for which no human creature, however excellent, can possibly give us a sufficient security.

The man, therefore, who would be truly happy, must, besides an habitual virtue, attain to such a 'strength of mind,' as to confine his happiness within himself, and keep it from being dependent upon others. A man of this make will perform all those good-natured offices that could have been expected from the most bleeding pity, without being so far affected at the common misfortunes of human life, as to disturb his own repose. His actions of this kind are so much more meritorious than another's, as they flow purely from a principle of `virtue, and a sense of his duty; whereas a man of a softer temper, even while he is assisting another, may in some measure be said to be relieving himself.

A man endowed with that 'strength of mind' I am here speaking of, though he leaves it to his friend or mistress to make him still more happy, does not put it in the power of either to make him miserable.

From what has been already said, it will also appear, that nothing can be more weak than to place our happiness in the applause of others, since by this means we make it wholly independent of ourselves. People of this humour, who place their chief felicity in reputation and

persons of much weaker heads. As the first, therefore, may not be improperly called, 'the heaven of a wise man,' the latter is extremely well represented by our vulgar expression, which terms it, a fool's paradise.' There is, however, this difference between them, that as the first naturally produces that strength and greatness of mind I have been all along describing as so essential to render a man happy, the latter is ruffled and discomposed by every accident, and lost under the most common misfortune.

It is this 'strength of mind' that is not to be overcome by the changes of fortune, that rises at the sight of dangers, and could make Alexander (in that passage of his life so much admired by the prince of Condé,) when his army mutinied, bid his soldiers return to Macedon, and tell their countrymen that they had left their king conquering the world; since for his part he could not doubt of raising an army wherever he appeared. It is this that chiefly exerts itself when a man is most oppressed, and gives him always in proportion to whatever malice or injustice would deprive him of. It is this, in short, that makes the virtuous man insensibly set a value upon himself, and throws a varnish over his words and actions, that will at last command esteem, and give him a greater ascendant over others, than all the advantages of birth and fortune.

No. 32.]

Friday, April 17, 1713.

-ipse volens, facilisque sequetur,

Si te fata vocant: aliter non viribus ullis
Vincas-
Virg. Æn. vi. 146.
The willing metal will obey thy hand,
Following with ease, if, favour'd by thy fate,
Thou art foredoom'd to view the Stygian state:
If not no labour can the tree constrain:
And strength of stubborn arms and steel are vair.
Dryden.

HAVING delivered my thoughts upon pastoral poetry, after a didactic manner, in some foregoing papers, wherein I have taken such hints from the critics as I thought rational, and de. parted from them according to the best of my

judgment, and substituted others in their place, | ment so polite, could give him no answer, but

I shall close the whole with the following fable or allegory.

In ancient times there dwelt in a pleasant vale of Arcadia a man of very ample possessions, named Menalcas; who, deriving his pedigree from the god Pan, kept very strictly up to the rules of the pastoral life, as it was in the golden age. He had a daughter, his only child, called Amaryllis. She was a virgin of a most enchanting beauty, of a most easy and unaffected air; but having been bred up wholly in the country, was bashful to the last degree. She had a voice that was exceeding sweet, yet had a rusticity in its tone, which, however, to most who heard her seemed an additional charm. Though in her conversation in general she was very engaging, yet to her lovers, who were numerous, she was so coy, that many left her in disgust after a tedious courtship, and matched themselves where they were better received. For Menalcas had not only resolved to take a son-in-law who should inviolably maintain the customs of his family, but had received one evening as he walked in the fields, a pipe of an antique form from a faun, or as some say, from Oberon the fairy, with a particular charge not to bestow his daughter upon any one who could not play the same tune upon it as at that time he entertained him with.

presented the pipe. He applied it to his lips, and began a tune which he set off with so many graces and quavers, that the shepherds and shepherdesses (who had paired themselves in order to dance) could not follow it; as indeed it required great skill and regularity of steps, which they had never been bred to. Menalcas ordered him to be stripped of his costly robes, and to be clad in a russet weed, and confined him to tend the flocks in the vallies for a year and a day.

The second that appeared was in a very dif ferent garb. He was clothed in a garment of rough goat-skins, his hair was matted, his beard neglected; in his person uncouth, and awkward in his gait. He came up fleering to the nymph, and told her, he had hugged his lambs, and kissed his young kids, but he hoped to kiss one that was sweeter."* The fair one blushed with modesty and anger, and prayed secretly against him as she gave him the pipe. He snatched it from her, but with some difficulty made it sound; which was in such harsh and jarring notes, that the shepherds cried one and all that he understood no music. He was immediately ordered to the most craggy parts of Arcadia, to keep the goats, and commanded never to touch a pipe any more.

The third that advanced appeared in clothes When the time that he had designed to give that were so strait and uneasy to him, that he her in marriage was near at hand, he published seemed to move with pain. He marched up to a decree. whereby he invited the neighbouring the maiden with a thoughtful look and stately youths to make trial of this musical instrument, pace, and said, 'Divine Amaryllis, you wear not with promise that the victor should possess his those roses to improve your beauty, but to make daughter, on condition that the vanquished them ashamed.'t As she did not comprehend should submit to what punishment he thought his meaning, she presented the instrument withfit to inflict. Those who were not yet discou-out reply. The tune that he played was so inraged, and had high' conceits of their own worth, appeared on the appointed day, in a dress and equipage suitable to their respective fancies.

The place of meeting was a flowery meadow, through which a clear stream murmured in many irregular meanders. The shepherds made a spacious ring for the contending lovers: and in one part of it there sat upon a little throne of turf, under an arch of eglantine and woodbines, the father of the maid, and at his right hand the damsel crowned with roses and lilies. She wore a flying robe of a slight green stuff; she had her sheep-hook in one hand, and the fatal pipe in the other.

tricate and perplexing, that the shepherds stood stock-still, like people astonished and confounded. In vain did he plead that it was the perfection of music, and composed by the most skilful master in Hesperia. Menalcas, finding that he was a stranger, hospitably took compassion on him, and delivered him to an old shepherd, who was ordered to get him clothes that would fit him, and teach him to speak plain.

The fourth that stepped forwards was young Amyntas, the most beautiful of all the Arcadian swains, and secretly beloved by Amaryllis. He wore that day the same colours as the maid for whom he sighed. He moved towards her with an easy but unassured air: she blushed as he came near her, and when she gave him the fatal present, they both trembled, but neither could speak. Having secretly breathed his vows to the gods, he poured forth such melodious notes, that though they were a little wild and irregular, they filled every heart with delight. The swains immediately mingled in the dance; and the old shepherds affirmed, that they had often heard such music by night, which they imagined to be played by some of the rural dei. ties. The good old man leaped from his throne, and, after he had embraced him, presented him to his daughter, which caused a general accla

The first who approached her was a youth of a graceful presence and courtly air, but drest in a richer habit than had ever been seen in Arcadia. He wore a crimson vest, cut indeed after the shepherd's fashion, but so enriched with embroidery, and sparkling with jewels, that the eyes of the spectators were diverted from considering the mode of the garment by the dazzling of the ornaments. His head was covered with a plume of feathers, and his sheep-hook glittered with gold and enamel. He accosted the damsel after a very gallant manner, and told her, 'Madam, you need not to consult your glass to adorn yourself to-day; you may see the great-mation ness of 'your beauty in the number of your con- While they were in the midst of their joy, quests.' She having never heard any compli- they were surprised with a very odd appearance

* Vide Fontenelle.

*Vide Theocritus.

† Vide Tasso.

A person in a blue mantle, crowned with sedges | great, had received numberless wounds: I say, and rushes, stepped into the middle of the ring. to observe that this dead youth is introduced He had an angling rod in his hand, a pannier only for the example of his virtue, and that his upon his back, and a poor meagre wretch in wet death is so circumstantiated, that we are satisclothes carried some oysters before him. Being fied, for all his virtue, it was for the good of the asked, whence he came, and what he was? He world, and his own family, that his warm temtold them, he was come to invite Amaryllis from per was not to be put upon farther trial, but his the plains to the sea-shore, that his substance task of life ended while it was yet virtuous, is consisted in sea-calves, and that he was acquaint- an employment worthy the consideration of our ed with the Nereids and the Naiads. Art thou young Britons. We are obliged to authors, that acquainted with the Naiads?' said Menalcas: can do what they will with us, that they do not 'to them then shalt thou return.' The shepherds play our affections and passions against ourimmediately hoisted him up as an enemy to selves; but to make us so soon resigned to the Arcadia, and plunged him in the river, where he death of Marcus, of whom we were so fond, is a sunk, and was never heard of since. power that would be unfortunately lodged in a man without the love of virtue.

Amyntas and Amaryllis lived a long and happy life, and governed the vales of Arcadia. Their generation was very long-lived, there having been but four descents in above two thousand years. His heir was called Theocritus, who left his dominions to Virgil; Virgil left his to his son Spenser; and Spenser was succeeded by his eldest-born, Philips.

No. 33.]

Saturday, April 18, 1713.

-Dignum sapiente, bonoque est. Her. Lib. 1. Ep. iv. 5. Worthy a wise man, and a good. I HAVE made it a rule to myself, not to publish any thing on a Saturday, but what shall have some analogy to the duty of the day ensuing. It is an unspeakable pleasure to me, that I have ived to see the time when I can observe such a law to myself, and yet turn my discourse upon what is done at the playhouse. I am sure the eader knows I am going to mention the tragedy of Cato. The principal character is moved by no consideration but respect to that sort of virtue, the sense of which is retained in our language under the word Public Spirit. All regards to his domestic are wholly laid aside, and the hero is drawn as having by this motive, subdued instinct itself, and taking comfort from the distresses of his family, which are brought upon them by their adherence to the cause of truth and liberty. There is nothing uttered by Cato but what is worthy the best of men; and the sentiments which are given him are not only the most warm for the conduct of this life, but such as we may think will not need to be erased, but consist with the happiness of the human soul in the next. This illustrious character has its proper influence on all below it: the other virtuous personages are, in their degree, as worthy, and as exemplary, as the principal; the conduct of the lovers (who are more warm, though more discreet, than ever yet appeared on the stage) has in it a constant sense of the great catastrophe which was expected from the approach of Cæsar. But to see the modesty of a heroine, whose country and family were at the same time in the most imminent danger, preserved, while she breaks out into the most fond and open expressions of her passion for her lover, is an instance of no common address. Again, to observe the body of a gallant young man brought before us, who, in the bloom of his youth, in the defence of all that is good and

Were it not that I speak, on this occasion, rather as a Guardian than a critic, I could proceed to the examination of the justness of each character, and take notice that the Numidian is as well drawn as the Roman. There is not an idea in all the part of Syphax which does not apparently arise from the habits which grow in the mind of an African; and the scene between Juba and his general, where they talk for and against a liberal education, is full of instruction. Syphax urges all that can be said against philosophy, as it is made subservient to ill ends, by men who abuse their talents; and Juba sets the less excellencies of activity, labour, patience of hunger, and strength of body, which are the admired qualifications of a Numidian, in their proper subordination to the accomplishments of the mind. But this play is so well recommended by others, that I will not for that, and some private reasons, enlarge any farther. Doctor Garth has very agreeably rallied the mercenary traffic between men and women of this age, in the epilogue, by Mrs. Porter, who acted Lucia. And Mr. Pope has prepared the audience for a new scene of passion and transport on a more noble foundation than they have before been entertained with, in the prologue. I shall take the liberty to gratify the impatience of the town by inserting these two excellent pieces, as earnests of the work itself, which will be printed within few days.

PROLOGUE TO CATO, BY MR. POPE.

SPOKEN BY MR. WILKS.

To wake the soul by tender strokes of art,
To raise the genius and to mend the heart;
To make mankind in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the tragic muse first trod the stage,
Commanding tears to stream thro' every age;
Tyrants no more their savage nature kept,
And foes to virtue wonder'd how they wept.
Our author shuns by vulgar springs to move
The hero's glory, or the virgin's love;
In pitying love we but our weakness show,
"And wild ambition well deserves its woe.
Here tears shall flow from a more gen'rous cause,
Such tears as patriots shed for dying laws;
He bids your breast with ancient ardour rise,
And calls forth Roman drops from British eyes;
Virtue confess'd in human shape he draws,
What Plato thought, and god-like Cato was.
No common object to your sight displays;
But what with pleasure Heaven itself surveys,
A brave man struggling in the storms of fate,
And greatly falling with a falling state.
While Cato gives his little senate laws,
What bosom beats not in his country's cause?
Who sees him act but envies every deed?
Who hears him groan, and does not wish to bleed?

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