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" surrender, under conditions of hypnotic receptivity, to the cheapest emotional appeals, appeals the more insidious because they are associated with a compellingly vivid illusion of actual life "
Architectures of Illusion: From Motion Pictures to Navigable Interactive ...
edited by - 2003 - 214 pages
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Postmodernism and Popular Culture: A Cultural History

John Docker - Biography & Autobiography - 1994 - 348 pages
...to observe, now provides the main form of recreation in the 'civilised world', for the film involves 'surrender, under conditions of hypnotic receptivity,...with a compellingly vivid illusion of actual life'. A primary part of the potency of film lies in its stress on the visual sense, on the pictorial - something...
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Cultural Theory and Popular Culture: A Reader

John Storey - Social Science - 1998 - 666 pages
...more potent influence. 7 They provide now the main form of recreation in the civilised world; and they involve surrender, under conditions of hypnotic receptivity,...with a compellingly vivid illusion of actual life. It would be difficult to dispute that the result must be serious damage to the "standard of living'...
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Modernism, Mass Culture, and the Aesthetics of Obscenity

Allison Pease - Art - 2000 - 268 pages
...influence is more potent; "they provide now the main form of recreation in the civilised world; and they involve surrender, under conditions of hypnotic receptivity,...with a compellingly vivid illusion of actual life." 21 The characterizations above make clear that the typical consumer of mass culture in the 19205 and...
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H.D. and the Public Sphere of Modernist Women Writers, 1913-1946: Talking Women

Georgina Taylor - Literary Criticism - 2001 - 248 pages
...interrogation. Many people expressed these kinds of views at this time, including FR Leavis who writes that films ‘involve surrender, under conditions of hypnotic receptivity, to the cheapest emotional appeals'. 79 Within the public sphere of modernist women writers, discussion ranged over how to expose the ‘masses'...
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British Horror Cinema

Steve Chibnall, Julian Petley - Horror films - 2002 - 260 pages
...example, in 1930 FR Leavis in Mass Civilisation and Minority Culture criticized films because they involve surrender, under conditions of hypnotic receptivity,...with a compellingly vivid illusion of actual life. It would be difficult to dispute that the result must be serious damage to the 'standard of living'....
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British Horror Cinema

Steve Chibnall, Julian Petley - Horror films - 2002 - 260 pages
...example, in 1930 FR. Leavis in Muss Ci¿iIisotion and Minority Culture criticized films because they involve surrender, under conditions of hypnotic receptivity,...with a compellingly vivid illusion of actual life, It would be difficult to dispute that the result must be serious damage to the ‘standard olliving'...
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Popular Culture: A Reader

Raiford Guins, Omayra Zaragoza Cruz - Language Arts & Disciplines - 2005 - 564 pages
...more potent influence. 7 They provide now the main form of recreation in the civilised world; and they involve surrender, under conditions of hypnotic receptivity,...with a compellingly vivid illusion of actual life. It would be difficult to dispute that the result must be serious damage to the ‘standard of living'...
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Leisure, Citizenship and Working-class Men in Britain, 1850-1945

Brad Beaven - History - 2005 - 284 pages
...upon higher and more civilised cultural planes. Thus cinema-going entailed the audience surrendering 'under conditions of hypnotic receptivity, to the...with a compellingly vivid illusion of actual life'. Leavis went on to say that mass film-going was helping to shape a standardised popular leisure which...
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