The Interior Landscape: The Literary Criticism of Marshall McLuhan, 1943-1962 |
Contents
Joyce Mallarmé and the Press | 5 |
Trivial and Quadrivial | 23 |
Technique vs Sensibility | 49 |
Copyright | |
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achieved aesthetic American analogical ancient arrest artist awareness Baudelaire beauty Byron character Cicero Ciceronian Coleridge consciousness critical culture dialectics discontinuous doctrine dramatic Dunciad effect eighteenth century Eliot eloquence emotion encyclopedic England English episode essays existence experience fact Finnegans Wake George Posey Hopkins human humanist Hutchins ideal intellectual interest interior landscape James James Joyce Joyce Joyce's juxtaposition Keats labyrinth landscape art language Lewis literary literature Mallarmé Marshall McLuhan McLuhan means metaphysical mind mirror mode modern movement nature never newspaper novel passion Passos perception Petrarch picturesque Poe's poem poet poetic poetry political Pope Pound Pre-Raphaelites present prose quadrivium quarrel reader rhetoric Rimbaud romantic says sense sion social society South Southern stanza symbolic symbolist T. E. Hulme T. S. Eliot technique Tennyson theme things thought tion tradition trivium Ulysses vision W. B. Yeats Wake words Wordsworth writer Wyndham Lewis Yeats