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Trivial and Quadrivial
Technique vs Sensibility
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achieved action aesthetic American ancient appears artist awareness beauty becomes century character Ciceronian Coleridge collective communication concerned continuous critical culture dialectics effect Eliot eloquence emotion England English entire essays existence experience expression external fact followed give hand Hopkins human ideal individual intellectual interest Italy James Joyce Keats kind knowledge landscape language later learning less letters Lewis light lines literary literature lives Mallarmé matter means mind mirror mode moment movement nature never newspaper objects once original passion Passos past perception picturesque poem poet poetic poetry political possible Pound present problems provides reader reading relation rhetoric says sense social society South Southern stanza suggested symbolic technique Tennyson theme things thought tion tradition turn Ulysses universe vision Wake Wordsworth writer