tegrity it is that which gives value to every character: the ignorant peasant, without fault, is greater than the philosopher with many; for what is genius or courage without an heart?

"An honest man's the noblest work of God."

I always held that hackneyed maxim of Pope, returned Mr. Burchell, as very unworthy a man of genius, and a base desertion of his own superiority. As the reputation of books is raised, not by their freedom from defect, but the greatness of their beauties; so should that of men be prized, not from their exemption from fault, but the size of those virtues they are possessed of. The scholar may want prudence, the statesman may have pride, and the champion ferocity; but shall we prefer to these the low mechanic, who laboriously plods on through life without censure or applause? We might as well prefer the tame correct paintings of the Flemish school, to the erroneous, but sublime animations of the Roman pencil.

Sir, replied I, your present observation is just, when there are shining virtues and minute defects; but when it appears that great vices are opposed in the same mind to as extraordinary virtues, such a character deserves contempt.

Perhaps, cried he, there may be some such monsters as you describe, of great vices joined to great virtues; yet in my progress through life, I never yet found one instance of their existence: on the contrary, I have ever perceived, that where the mind was capacious, the affections were good. And indeed Providence seems kindly our friend in this particular, thus to debilitate the understanding where the heart is corrupt, and diminish the power where there is the will to do mischief. This rule seems to extend even to other animals: the little

vermin race are ever treacherous, cruel, and cowardly; whilst those endowed with strength and power, are generous, brave, and gentle.

These observations sound well, returned I; and yet it would be easy this moment to point out a man, and I fixed my eye stedfastly upon him, whose head and heart form a most detestable contrast. Aye, sir, continued I, raising my voice, and I am glad to have this opportunity of detecting him in the midst of his fancied security. Do you know this, sir-this pocket-book ?—Yes, sir, returned he with a face of impenetrable assurance: that pocket-book is mine, and I am glad you have found it. And do you know, cried I, this letter? Nay, never faulter, man; but look me full in the face: I say, do you know this letter?-That letter? returned he: yes; it was I that wrote that letter.— And how could you, said I, so basely, so ungratefully, presume to write this letter?-And how came you, replied he, with looks of unparalleled'effrontery so basely to presume to break open this letter? Don't you know, now, I could hang you all for this? All that I have to do, is to swear at the next justice's, that you have been guilty of breaking open the lock of my pocket-book, and so hang you all up at this door. This piece of unexpected insolence raised me to such a pitch that I could scarce govern my passion. Ungrateful wretch ! be gone, and no longer pollute my dwelling with thy baseness. Be gone! and never let me see thee again go from my door, and the only punishment I wish thee is an alarmed conscience, which will be a sufficient tormentor! So saying, I threw him his pocket-book, which he took up with a smile, and shutting the clasps with the utmost composure, left us quite astonished at the serenity of his assurance. My wife was particularly

enraged that nothing could make him angry, or make him seem ashamed of his villanies. My dear, cried I, willing to calm those passions that had been raised too high among us, we are not to be surprised that bad men want shame they only blush at being detected in doing good, but glory in their vices.

Guilt and Shame (says the allegory) were at first companions, and in the beginning of their journey inseparably kept together. But their union was soon found to be disagreeable and inconvenient to both Guilt gave Shame frequent uneasiness, and Shame often betrayed the secret conspiracies of Guilt. After long disagreement, therefore, they at length consented to part for ever. Guilt boldly walked forward alone, to overtake Fate, that went before in the shape of an executioner; but Shame being naturally timorous, returned back to keep company with Virtue, which in the beginning of their journey they had left behind.--Thus, my children, after men have travelled through a few stages in vice, Shame forsakes them, and returns back to wait upon the few virtues they have still remaining.

CHAPTER XVI.

The family use art, which is opposed by still greater. WHATEVER might have been Sophia's sensations, the rest of the family were easily consoled for Mr. Burchell's absence, by the company of our landlord, whose visits now became more frequent and longer. Though he had been disappointed in procuring my daughters the amusements of the

town, as he designed, he took every opportunity of supplying them with those little recreations which our retirement would admit of. He usually came in the morning; and while my son and I followed our occupations abroad, he sat with the family at home, and amused them by describing the town, with every part of which he was particularly acquainted. He could repeat all the observations that were retailed in the atmosphere of the play-houses, and had all the good things of the high wits by rote, long before they made their way into the jestbooks. The intervals between conversation were employed in teaching my daughters piquet; or, sometimes in setting my two little ones to box, to make them sharp, as he called it but the hopes of having him for a son-in-law, in some measure blinded us to all his imperfections. It must be owned that my wife laid a thousand schemes to entrap him; or, to speak it more tenderly, used every art to magnify the merit of her daughter. If the cakes at tea eat short and crisp, they were made by Olivia; if the gooseberry wine was well knit, the gooseberries were of her gathering: it was her fingers which gave the pickles their peculiar green; and in the composition of a pudding, it was her judgment that mixed the ingredients. Then the poor woman would sometimes tell the squire, that she thought him and Olivia extremely of a size, and would bid both stand up to see which was the tallest. These instances of cunning, which she thought impenetrable, yet which every body saw through, were very pleasing to our benefactor, who gave every day some new proofs of his passion, which, though they had not arisen to proposals of marriage, yet we thought fell but very little short of it and his slowness was sometimes attributed to native bashfulness, and sometimes to his fear of

offending his uncle. An occurrence, however, which happened soon after, put it beyond a doubt, that he designed to become one of our family: my wife even regarded it as an absolute promise.

My wife and daughters happening to return a visit at neighbour Flamborough's, found that family had lately got their pictures drawn by a limner, who travelled the country, and took likenesses for fifteen shillings a-head. As this family and ours had long a sort of rivalry in point of taste, our spirit took the alarm at this stolen march upon us; and notwithstanding all I could say, and I said much, it was resolved that we should have our pictures done too. Having, therefore, engaged the limner (for what could I do?), our next deliberation was to shew the superiority of our taste in the attitudes. As for our neighbour's family, there were seven of them, and they were drawn with seven oranges a thing quite out of taste, no variety in life, no composition in the world. We desired to have something in a brighter style, and after many debates, at length came to an unanimous resolution of being drawn together, in one large historical family piece. This would be cheaper, since one frame would serve for all, and it would be infinitely more genteel; for all families of any taste were now drawn in the same manner. As we did not immediately recollect an historical subject to hit us, we were contented each with being drawn as independent historical figures. My wife desired to be represented as Venus; and the painter was requested not to be too frugal of his diamonds in her stomacher and hair. Her two little ones were to be as Cupids by her side; while I, in my gown and band, was to present her with my books on the Whistonian controversy. Olivia would be drawn as an Amazon sitting upon a bank of flowers, drest in a