Essays on Shakespeare's Dramatic Characters: With an Illustration of Shakespeare's Representation of National Characters, in that of Fluellen |
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... Lear , and Timon of Athens to which were added , An Essay on the Faults of Shakespeare ; and Additional Observations on the Character of Hamlet . " Soon after were published , " Essays on Shake- speare's Dramatic Character.
... Lear , and Timon of Athens to which were added , An Essay on the Faults of Shakespeare ; and Additional Observations on the Character of Hamlet . " Soon after were published , " Essays on Shake- speare's Dramatic Character.
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... Lear • · • 289 1983 1783 VII . The Character of Sir John Falstaff IX . - The Character of Timon of Athens 313 X. - On Shakespeare's Imitation of FE- MALE CHARACTERS XI . - The Character of Fluellen 338 1787 · • . 364 18 : 2 . 401 1783 ...
... Lear • · • 289 1983 1783 VII . The Character of Sir John Falstaff IX . - The Character of Timon of Athens 313 X. - On Shakespeare's Imitation of FE- MALE CHARACTERS XI . - The Character of Fluellen 338 1787 · • . 364 18 : 2 . 401 1783 ...
Page 135
... Lear , has ventured to pourtray its lineaments . That Hamlet really felt some disorder , that he studied concealment , and strove to hide his distraction under appearances of madness , is manifest in the following passage , among others ...
... Lear , has ventured to pourtray its lineaments . That Hamlet really felt some disorder , that he studied concealment , and strove to hide his distraction under appearances of madness , is manifest in the following passage , among others ...
Page 286
... Lear , violent and impetuous , but yet affectionate , from his misfortunes derives improvement . Macbeth , originally a man of feeling , is ca- pable of remorse . And the understanding of Richard , rugged and insensible though he be ...
... Lear , violent and impetuous , but yet affectionate , from his misfortunes derives improvement . Macbeth , originally a man of feeling , is ca- pable of remorse . And the understanding of Richard , rugged and insensible though he be ...
Page 288
... qualities is often veiled by the pleasantry employed by the poet in their display , the general effect is in the highest degree delightful . ESSAY VIII . ON THE DRAMATIC CHARACTER OF KING LEAR 288 DRAMATIC CHARACTER , & c .
... qualities is often veiled by the pleasantry employed by the poet in their display , the general effect is in the highest degree delightful . ESSAY VIII . ON THE DRAMATIC CHARACTER OF KING LEAR 288 DRAMATIC CHARACTER , & c .
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Common terms and phrases
affection agitated agreeable Alcibiades ambition amiable amusement appear appetites arise attention become cerning character circumstances Claudius conduct consequence Cordelia delight delineation desire dexterity disappointment discernment display dispositions dramatic emotion endeavours ESSAY esteem excellent excite exhibited expresses exquisite external Falstaff fancy father fear feelings flattered Fluellen give gratified guilt Hamlet hath heart Hecuba honour human nature humour Iachimo illustrated imagination imitation Imogen indignation indulgence influence ingra inhuman invention Jaques kind King King Lear Laertes Lear less Lord Macbeth mankind manner melancholy ment merit mind misanthropy moral never object observe occasion Olorus opinion pain passion persons pleasure poet poetical justice possess Prince principles proceed propriety qualities racter reflection renders representation resentment Richard scene seems sense sensibility sentiments Shakespeare shew sion Sir John Falstaff situation sorrow soul spirit suffers temper thee things thou Timon Timon of Athens tion tragedy tural uncon violent virtue
Popular passages
Page 100 - He took me by the wrist and held me hard, Then goes he to the length of all his arm, And, with his other hand thus o'er his brow, He falls to such perusal of my face As he would draw it.
Page 46 - This supernatural soliciting Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, • Against the use of nature...
Page 203 - Our bruised arms hung up for monuments; Our stern alarums changed to merry meetings; Our dreadful marches to delightful measures. Grim-visag'd war hath smooth'd his wrinkled front; And now,— instead of mounting barbed steeds, To fright the souls of fearful adversaries,— He capers nimbly in a lady's chamber To the lascivious pleasing of a lute.
Page 343 - Well believe this, No ceremony that to great ones 'longs, Not the king's crown, nor the deputed sword, The marshal's truncheon, nor the judge's robe, Become them with one half so good a grace, As mercy does.
Page 104 - I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit...
Page 109 - Why, look you now, how unworthy a thing you make of me. You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.
Page 156 - At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Page 107 - Since my dear soul was mistress of her choice, And could of men distinguish her election, She hath seal'd thee for herself: for thou hast been As one, in suffering all, that suffers nothing; A man, that fortune's buffets and rewards Hast ta'en with equal thanks...
Page 140 - Under an oak, whose antique root peeps out Upon the brook that brawls along this wood ; To the which place a poor sequester'd stag, That from the hunter's aim had ta'en a hurt...
Page 59 - One cried, God bless us ! and, Amen, the other ; As they had seen me, with these hangman's hands, Listening their fear. I could not say, amen, When they did say, God bless us.