Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
3 other sections not shown
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Common terms and phrases
action Antony and Cleopatra Antony's appears audience becomes begins believe Caesar calls character comedy comic course court critics Cymbeline death desire discussion disguise dramatic effect Egypt Elizabethan English Enobarbus essay fact Falstaff father feel female figure final Ford give hand Henry hero human identity imagination Imogen interpretation Italy John King language Lear less lines London lovers male marriage means Merry Wives moral nature never Octavius Othello performance play play's plot political Posthumus present Press Prince queen question reading reason reference relation Renaissance rhetorical Richard role Roman Rome says scene seems sense sexual Shake Shakespeare speaks speech stage story Studies suggests tells thing thou tion tragedy tragic true truth turn University vision wife Windsor woman women York
Bibliographic information
| Title | Shakespearean Criticism Literature criticism online Volume 47 of Shakespearean Criticism Series |
| Editor | Michelle Lee |
| Edition | annotated |
| Publisher | Cengage Gale, 1999 |
| Original from | the University of Michigan |
| Digitized | 23 May 2008 |
| ISBN | 0787628913, 9780787628918 |
| Length | 420 pages |
| Subjects | › Literary Criticism / Drama Literary Criticism / Reference Literary Criticism / Shakespeare |
| Export Citation | BiBTeX EndNote RefMan |