And think they raise their own renown Still lying on with most success, And make the out-fide of religion, Like Mahomet's infpiring pigeon, To all their forgeries gain credit, 'Tis enough fure that faid it. But what can all this rambling mean? Intrigues, and Women's Thoufand Tricks, Faftings, Feafts, Pray'rs, and Charities, Ceres, Ceres, with her mysterious train, and Flesh, Spirit, Love, Hate, and Religion, A Quail, a Raven, and a Pigeon, All jumbled up in one large dish, Red-Herring, Bread, Fowl, Flesh, and Fish. Where's the connection, where's the plan? The devil fure is in the man. All in an inftant we are hurl'd From place to place all round the world, To know the end of this -A TALE. ΑΝ ཉ An EPISTLE to C. CHURCHILL, AUTHOR of the ROSCIA D. I' F at a Tavern, where you'd wish to dine, They cheat your palate with adulterate wine, Critics of old, a manly liberal race, Approv❜d or cenfur'd with an open face : Boldly perfu'd the free decifive task, Nor ftabb'd, conceal'd beneath a ruffian's mafk. To To works not men, with honeft warmth, fevere, But, as all states are fubject to decay, Softness now wantons e'en on Roman ground; In claffic lore, deep fcience, language dead, Now * The author takes this opportunity, notwithstanding all infinuations to the contrary, to declare, that he has no particular aim at a gentleman, whofe abilities he fufficiently acknowledges. Now Quack and Critic differ but in name, Empirics frontlefs both, they mean the fame; This raw in Phyfic, that in Letters fresh, Both spring, like warts, excrefcence from the flesh. Half form'd, half bred in printers' hireling schools, For all profeffions have their rogues and fools, Tho' the pert witling, or the coward knave, Cafts no reflection on the wife or brave. Yet, in these leaden times, this idle age, Pity perhaps might wish a harmless fool To scape th' obfervance of the critic school; |