John Ford and the Caroline Theatre |
Contents
a play for Blackfriars | 16 |
Reassessment of the Othello theme at the Phoenix | 58 |
Return to Blackfriars and the Classical Tragic | 79 |
Copyright | |
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acceptable action Annabella appearance audience Aurelio Auria becomes believe Bianca Broken Heart Calantha Caroline characters clear close conception contrast Court deal death demands doubt dramatic dramatist Duke effect Elizabethan episode Eroclea evidence face fact Fancies fate feeling Fernando final force Ford Ford's Friar Giovanni give hand Henry honour human husband idea important impression innocence intention interest Ithocles Jacobean John Ford Katherine kind King later leaves light lines Love's Sacrifice lovers marriage material meaning meet Melancholy mind moral motive move nature never notes opening Orgilus Othello passion pattern Penthea perhaps Perkin Warbeck personality Phoenix play plot possible present Prince probably problem Professor Queen refers relationship revenge scene seems sense sister situation Spinella stage suggests theatre theme Tis Pity tragedy Trial true truth turn whole wife