Players of a Century: A Record of the Albany Stage |
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Page iii
... Duffy , Conner , Trimble , Lawlor and Albaugh . In short , the supply of material for a history of this kind was soon found to be embarrassing in its richness , and its arrange- ment for publication , to a great extent , a matter of ...
... Duffy , Conner , Trimble , Lawlor and Albaugh . In short , the supply of material for a history of this kind was soon found to be embarrassing in its richness , and its arrange- ment for publication , to a great extent , a matter of ...
Page vii
... Duffy - His Stage Fight with Booth - Founds the Buffalo Theatre .. CHAPTER XII . Page . 109 125 1829-1830 . " Blood ... Duffy's Great Hit— Forrest Dismisses an Audience - A " Greek Tragedian " - Theatre Closed on Account of Cholera ...
... Duffy - His Stage Fight with Booth - Founds the Buffalo Theatre .. CHAPTER XII . Page . 109 125 1829-1830 . " Blood ... Duffy's Great Hit— Forrest Dismisses an Audience - A " Greek Tragedian " - Theatre Closed on Account of Cholera ...
Page viii
... Duffy Benefit - Murder of the Manager .. CHAPTER XVI . 1836-1839 . Last Years of the Old Pearl Street Theatre - Char- lotte Cushman in Albany , where She Learned to Act - Her Only Love Affair - Her Favorite Brother Killed by an Acci ...
... Duffy Benefit - Murder of the Manager .. CHAPTER XVI . 1836-1839 . Last Years of the Old Pearl Street Theatre - Char- lotte Cushman in Albany , where She Learned to Act - Her Only Love Affair - Her Favorite Brother Killed by an Acci ...
Page 56
... Duffy play- ing Glenalvon ) and subsequently played Octavian , Richard III . , Romeo , etc. He had been well drilled in his characters , and went through them with sufficient ability to create quite a sensation . His sister also played ...
... Duffy play- ing Glenalvon ) and subsequently played Octavian , Richard III . , Romeo , etc. He had been well drilled in his characters , and went through them with sufficient ability to create quite a sensation . His sister also played ...
Page 58
... Duffy , were in the company . December 29th , Mr. Blake , from England , made what was announced as his first appear- ance in America in " The Stranger . " January 16th , 1824 , he played Othello to Mr. Duffy's Iago . On the 30th , Mr ...
... Duffy , were in the company . December 29th , Mr. Blake , from England , made what was announced as his first appear- ance in America in " The Stranger . " January 16th , 1824 , he played Othello to Mr. Duffy's Iago . On the 30th , Mr ...
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Common terms and phrases
acting actor actress afterwards Albany theatre Albaugh America appearance in Albany April Arch street theatre audience August Barnes Barney Williams beautiful became began an engagement benefit Booth born Boston Bowery Bowery theatre boxes Burke character Charles Charley Charley Taylor Charlotte Charlotte Cushman circus comedian comedy Cushman daughter debut December died drama Duffy E. L. Davenport Eddy Edwin Forrest England Fanny Fanny Kemble father favorite February George Gilfert Green street theatre Hamlet Irish James January John Brougham July June Kean Kemble lady Macbeth Macready March married Mary Menken ment Metamora Miss Museum never night November October opened opera house Othello Park theatre Pearl street theatre performance Philadelphia receipts retired says scene season closed September sister Smith South Pearl Street stage manager star stock company success theatrical took tragedian tragedy troupe Troy Wallack week wife William William Duffy York young
Popular passages
Page 78 - I'll sweeten thy sad grave : thou shalt not lack The flower that's like thy face, pale primrose ; nor The azured hare-bell, like thy veins ; no, nor The leaf of eglantine, whom not to slander, Out-sweeten'd not thy breath...
Page 91 - Yes, as rocks are, When foamy billows split themselves against Their flinty ribs ; or as the moon is moved, When wolves, with hunger pined, howl at her brightness.
Page 104 - Who made a nation purer through their art. Thine is it that our drama did not die, Nor flicker down to brainless pantomime, And those gilt gauds men-children swarm to see. Farewell, Macready; moral, grave, sublime; Our Shakespeare's bland and universal eye Dwells pleased, through twice a hundred years, on thee.
Page 119 - Were less ethereally light: the brightness Of her divinest presence trembles through Her limbs, as underneath a cloud of dew Embodied in the windless Heaven of June, Amid the splendour-winged stars, the Moon Burns, inextinguishably beautiful...
Page 166 - I was married in Philadelphia, on the 7th of June, 1834, to Mr. Pierce Butler, of that city." And with that the book ends, an exquisite book, written by a real poet, in places a little too romantic and exhortatory for our taste; but that is a matter of epoch and education. A single point offends us, and that is the conceited tone, intensely English, in which the actress on several occasions...
Page 91 - I pen this passage ; now composed, now grand as the foamy billows ; so flutelike on the word " moon," creating a scene with the sound ; and anon sharp, harsh, fierce in the last line, with a look upward from those matchless eyes, that rendered the troop visible, and their howl perceptible to the ear ; — the whole serenity of the man, and the solidity of his temper, being illustrated less by the assurance in the succeeding words than by the exquisite music in the tone with which he uttered the word...
Page 90 - I have met one actor in this country, a young man named Edwin Forrest, who gave proofs of a decided genius for his profession, and will, I believe, rise to ;\ great eminence.
Page 137 - Navy Department. . . . And the parties of the second part hereby agree to pay to the party of the first part for said piles, delivered at said Naval Academy, after approval by said architect or his representative and said engineer in charge, at the prices set forth in the attached schedule, which forms a part of this agreement. . . . And it is further agreed that in the event of the...
Page 103 - ... he stole into the sleeping-chamber of Duncan like a man going to purloin a purse, not like a warrior going to snatch a crown.
Page 202 - ... power to embody the highest ideals of majesty, pathos, and appalling anguish. She was not a great actress merely, but she was a great woman. She did not possess the dramatic faculty apart from other faculties, and conquer by that alone; but, having that faculty in almost unlimited...
References to this book
Wearing the Breeches: Gender on the Antebellum Stage Elizabeth Reitz Mullenix No preview available - 2000 |