Verbal Art Across Cultures: The Aesthetics and Proto-aesthetics of CommunicationHubert Knoblauch, Helga Kotthoff |
Contents
Introduction | 7 |
Ruth Finnegan | 33 |
Judith T Irvine | 63 |
Richard Bauman | 91 |
Neil Roughley | 121 |
Volker Heeschen | 137 |
Helga Kotthoff | 167 |
Hubert Knoblauch and Jürgen Raab | 195 |
Common terms and phrases
action advertisement spots aesthetic aesthetic communication aesthetic forms African languages analysis anthropology audience authority Bauman Bleek Cambridge categorical formulations Cher Chinese cognitive communicative genres context Crowther deceased Dell Hymes dimension discourse Eipo emotions Erving Goffman everyday example exhibit expression Finnegan forms of communication Frankfurt am Main function genacvale Georgian German Goffman grammar Heeschen human Hymes Igbo Image interaction Irian Jaya Knoblauch Kommunikation Kotthoff lamentation linguistic literature London means mediational routines Mieder Mita moral myths narratives okyeame Opladen oral culture Papua New Guinea participants patterns performance person perspectives poetic present proto-aesthetics proverbial sayings proverbs reference relay ritual role Roman Jakobson semiotic sense social society songs source dialogue source utterance speakers speaking speech structure studies Susanne Günthner talk target dialogue target utterance theory Thomas Luckmann tion tradition Tübingen Uncle Mița verbal art visual Werbung words Yankah York Yoruba Yoruba Language მიტა ძია