Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 145
... practice their directions . It was my good fortune , in early academical life , to fall into the hands of your estimable fellow citizen , Professor Lovell , now of New Haven , and for a period of three years I was drilled incessantly ...
... practice their directions . It was my good fortune , in early academical life , to fall into the hands of your estimable fellow citizen , Professor Lovell , now of New Haven , and for a period of three years I was drilled incessantly ...
Page 146
... Practice wide slides and long steps in rendering them . " 2. Weak Thin Voice In reading the following selections , let the voice boom out . Open the mouth wide on the open vowels like ō , and ōō , and ä as in father . Do not strain the ...
... Practice wide slides and long steps in rendering them . " 2. Weak Thin Voice In reading the following selections , let the voice boom out . Open the mouth wide on the open vowels like ō , and ōō , and ä as in father . Do not strain the ...
Page 179
... Practice them and let them help you con- vey the story . VI . SUMMARY Choose the story you are going to read with the utmost care . First of all , be sure that you have enjoyed it yourself . A story , however , that interests you may ...
... Practice them and let them help you con- vey the story . VI . SUMMARY Choose the story you are going to read with the utmost care . First of all , be sure that you have enjoyed it yourself . A story , however , that interests you may ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York