Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 82
... passage . To develop range of emotional feeling , practice reading the same passage in different moods . Read it laughingly ; read it with tears . Note also how the mood is reflected in your posture and gesture . In the sister art of ...
... passage . To develop range of emotional feeling , practice reading the same passage in different moods . Read it laughingly ; read it with tears . Note also how the mood is reflected in your posture and gesture . In the sister art of ...
Page 90
... passage from Amy Lowell : Slowly , without force , the rain drops into the city . It stops a mo- ment on the carved head of Saint John , then slides on again , slipping and trickling over his stone cloak . It splashes from the lead ...
... passage from Amy Lowell : Slowly , without force , the rain drops into the city . It stops a mo- ment on the carved head of Saint John , then slides on again , slipping and trickling over his stone cloak . It splashes from the lead ...
Page 241
... passage , for where these two qualities are suppressed the reading is dead and lifeless . How can you " give yourself " to a passage ? The answer is by thorough assimilation of the passage with your own thoughts and emotions . In the ...
... passage , for where these two qualities are suppressed the reading is dead and lifeless . How can you " give yourself " to a passage ? The answer is by thorough assimilation of the passage with your own thoughts and emotions . In the ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York