Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 15
... holds the at- tention of the audience as closely as if he were making a speech to them . The technique is slightly ... Hold off ! unhand me , grey - beard loon ! " Eftsoons his hand dropt he . He holds him with his glittering eye- The ...
... holds the at- tention of the audience as closely as if he were making a speech to them . The technique is slightly ... Hold off ! unhand me , grey - beard loon ! " Eftsoons his hand dropt he . He holds him with his glittering eye- The ...
Page 225
... hold attention . Think of the panel programs such as Meet the Press , Keeping Posted , What's My Line ? Given a good script , an intelligent reader and good 1 For an interesting account of Charles Laughton's performance on TV see Robert ...
... hold attention . Think of the panel programs such as Meet the Press , Keeping Posted , What's My Line ? Given a good script , an intelligent reader and good 1 For an interesting account of Charles Laughton's performance on TV see Robert ...
Page 226
... hold attention . Charles Laughton , for example , has said that the average run of love poetry just would not hold an audience.3 It takes a love poem like " To His Coy Mistress " to hold sustained attention . This poem , Laughton said ...
... hold attention . Charles Laughton , for example , has said that the average run of love poetry just would not hold an audience.3 It takes a love poem like " To His Coy Mistress " to hold sustained attention . This poem , Laughton said ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York