A Classical Tour Through Italy, An. MDCCCII.M. Carey, 1816 - Italy |
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Page 24
... buildings , raised at an enormous expense , as if designed for eternal monuments of the opulence and of the bad taste of the British nation . We should not see such a multitude of absurd edifices under the names of temples , ruins , & c ...
... buildings , raised at an enormous expense , as if designed for eternal monuments of the opulence and of the bad taste of the British nation . We should not see such a multitude of absurd edifices under the names of temples , ruins , & c ...
Page 45
... buildings , we may generalize and apply to Italy the observation which was originally made on Rome , that no country presents so many specimens both of good and of bad architecture . ; Of museums , galleries of paintings and statues ...
... buildings , we may generalize and apply to Italy the observation which was originally made on Rome , that no country presents so many specimens both of good and of bad architecture . ; Of museums , galleries of paintings and statues ...
Page 58
... building that deserves his notice . To this I will add another object , that has a claim upon his attention far superior to any that can be derived from mere architectural beauty . It is a little chapel , erect- ed upon a very ...
... building that deserves his notice . To this I will add another object , that has a claim upon his attention far superior to any that can be derived from mere architectural beauty . It is a little chapel , erect- ed upon a very ...
Page 71
... buildings assume a better form ; the shape and ornaments of their portals , doors and windows are more graceful , and their epitaphs and inscriptions , which , as Addison justly observes , are a certain cri- terion of public taste ...
... buildings assume a better form ; the shape and ornaments of their portals , doors and windows are more graceful , and their epitaphs and inscriptions , which , as Addison justly observes , are a certain cri- terion of public taste ...
Page 76
... buildings . From an early period in the thir- teenth century ( 1228 ) we find that there were sums appropriated to the reparation of the amphitheatre ; and that afterwards public orders were issued for its pre- servation and ornament ...
... buildings . From an early period in the thir- teenth century ( 1228 ) we find that there were sums appropriated to the reparation of the amphitheatre ; and that afterwards public orders were issued for its pre- servation and ornament ...
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Common terms and phrases
adorned alluded Alps altar ancient Ancona antiquity Apennines appearance appellation arches architecture attention banks Basilica beautiful Bologna called Campus Martius cathedral celebrated chapel Christian church Cicero Cluverius Corinthian covered decorations delightful dome edifice elevation Emperor erected feet French gallery gardens glory grand grandeur groves halls hill honor hundred Italian Italy lake latter lofty magnificence Mantua marble ments miles Mincio Misenus modern Monte monuments mountains Naples noble object observed ornaments Padua paintings palace passed perhaps Peter's pillars plain poet Pomptine marshes pontiff Pope porphyry portico present principal promontory Puteoli quæ reader remains rises river road rock Roman Rome ruins scene scenery seat seems shade side splendor stands statues summit supposed taste temple Thermæ Tiber Tibur tion tomb towers town Trajan traveller vast Vatican vault Venice Verona Via Appia Vicenza villa Virgil walls whole
Popular passages
Page 493 - Mantua me genuit : Calabri rapuere : tenet nunc Parthenope : cecini pascua, rura, duces.
Page 291 - Classic dress, and the work is rather to be attributed to the end of the fifth, or the beginning of the sixth, century.
Page 298 - He spake and they were made: he commanded and they were created.
Page 192 - Ev'n the rough rocks with tender myrtle bloom, And trodden weeds send out a rich perfume. Bear me, some god, to Baia's gentle seats, Or cover me in Umbria's green retreats ; Where western gales eternally reside, And all the seasons lavish all their pride : Blossoms, and fruits, and flowers together rise, And the whole year in gay confusion lies.
Page 288 - ... at the expense of the church and country. The palaces of these fortunate nephews are the most costly monuments of elegance and servitude ; the perfect arts of architecture, painting, and sculpture, have been prostituted in their service, and their galleries and gardens are decorated with the most precious works of antiquity, which taste or vanity has prompted them to collect.
Page 226 - Capitolinus on a hundred steps, supported by a hundred pillars, adonied with all the refinements of art, and blazing with the plunder of the world. In the centre of the temple, with Juno on his left, and Minerva on his right side, the thunderer sat on a throne of gold, grasping the lightning in one hand, and in the other wielding the sceptre of the universe.
Page 219 - ... alumna eadem et parens, numine deum electa, quae caelum ipsum clarius faceret, sparsa congregaret imperia ritusque molliret et tot populorum discordes ferasque linguas sermonis commercio contraheret ad conloquia et humanitatem homini daret breviterque una cunctarum gentium in toto orbe patria fieret.
Page 236 - I have seen the walls of Balclutha, but they were desolate. The fire had resounded in the halls; and the voice of the people is heard no more. The stream of Clutha was removed from its place by the fall of the walls. The thistle shook there its lonely head: the moss whistled to the wind. The fox looked out from the windows, the rank grass of the wall waved round its head. Desolate is the dwelling of Moina; silence is in the house of her fathers.
Page 22 - The medal, faithful to its charge of fame, Through climes and ages bears each form and name: In one short view subjected to our eye, Gods, emperors, heroes, sages, beauties, lie. With sharpen'd sight pale antiquaries pore, Th' inscription value, but the rust adore.
Page 205 - The entrance to this enclosure is by a path, winding along the foot of the mountain ; and nothing remarkable strikes the eye till one passes the gate, where the attention is at once powerfully arrested. Not only is the space within the wall filled with images of Gaudama of every size, but the whole face of the mountain, to the height of eighty or ninety feet, is covered with them. On every...