A Classical Tour Through Italy, An. MDCCCII.M. Carey, 1816 - Italy |
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Page 22
... ARCHITECTURE . V. As Italy possesses some of the most perfect monuments of antiquity now remaining , Res antiquæ laudis et artis , as well as the most splendid productions of modern genius in Architecture , Sculpture , and Paint- ing ...
... ARCHITECTURE . V. As Italy possesses some of the most perfect monuments of antiquity now remaining , Res antiquæ laudis et artis , as well as the most splendid productions of modern genius in Architecture , Sculpture , and Paint- ing ...
Page 23
... architectural beauty . Rollin's short treatise , in his Appendix to his Ancient History , en- riched with several ... architecture , the reader will discover the genuine proportions of the original Doric , the first and favorite order ...
... architectural beauty . Rollin's short treatise , in his Appendix to his Ancient History , en- riched with several ... architecture , the reader will discover the genuine proportions of the original Doric , the first and favorite order ...
Page 24
... architecture * . SCULPTURE . VI . We come in the next place to Sculpture . Some acquaintance with anatomy is a desirable preliminary to the knowledge of this art ; therefore he who wishes . to form correct notions of the statues , which ...
... architecture * . SCULPTURE . VI . We come in the next place to Sculpture . Some acquaintance with anatomy is a desirable preliminary to the knowledge of this art ; therefore he who wishes . to form correct notions of the statues , which ...
Page 43
... architectural beauty . Even where there is no dis- play of architecture , there is generally a richness of materials , a profusion of marble , and not unfrequently , a luxuriancy of sculpture and painting that delights and surprises the ...
... architectural beauty . Even where there is no dis- play of architecture , there is generally a richness of materials , a profusion of marble , and not unfrequently , a luxuriancy of sculpture and painting that delights and surprises the ...
Page 44
... architectural beau- ty , as few , I fear , are to be found even in Italy , where , in some point or other , the architect has not sacrificed symmetry and proportion to caprice and vanity . But if it be possible to overlook a defect so ...
... architectural beau- ty , as few , I fear , are to be found even in Italy , where , in some point or other , the architect has not sacrificed symmetry and proportion to caprice and vanity . But if it be possible to overlook a defect so ...
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adorned alluded Alps altar ancient Ancona antiquity Apennines appearance appellation arches architecture attention banks Basilica beautiful Bologna called Campus Martius cathedral celebrated chapel Christian church Cicero Cluverius Corinthian covered decorations delightful dome edifice elevation Emperor erected feet French gallery gardens glory grand grandeur groves halls hill honor hundred Italian Italy lake latter lofty magnificence Mantua marble ments miles Mincio Misenus modern Monte monuments mountains Naples noble object observed ornaments Padua paintings palace passed perhaps Peter's pillars plain poet Pomptine marshes pontiff Pope porphyry portico present principal promontory Puteoli quæ reader remains rises river road rock Roman Rome ruins scene scenery seat seems shade side splendor stands statues summit supposed taste temple Thermæ Tiber Tibur tion tomb towers town Trajan traveller vast Vatican vault Venice Verona Via Appia Vicenza villa Virgil walls whole
Popular passages
Page 493 - Mantua me genuit : Calabri rapuere : tenet nunc Parthenope : cecini pascua, rura, duces.
Page 291 - Classic dress, and the work is rather to be attributed to the end of the fifth, or the beginning of the sixth, century.
Page 298 - He spake and they were made: he commanded and they were created.
Page 192 - Ev'n the rough rocks with tender myrtle bloom, And trodden weeds send out a rich perfume. Bear me, some god, to Baia's gentle seats, Or cover me in Umbria's green retreats ; Where western gales eternally reside, And all the seasons lavish all their pride : Blossoms, and fruits, and flowers together rise, And the whole year in gay confusion lies.
Page 288 - ... at the expense of the church and country. The palaces of these fortunate nephews are the most costly monuments of elegance and servitude ; the perfect arts of architecture, painting, and sculpture, have been prostituted in their service, and their galleries and gardens are decorated with the most precious works of antiquity, which taste or vanity has prompted them to collect.
Page 226 - Capitolinus on a hundred steps, supported by a hundred pillars, adonied with all the refinements of art, and blazing with the plunder of the world. In the centre of the temple, with Juno on his left, and Minerva on his right side, the thunderer sat on a throne of gold, grasping the lightning in one hand, and in the other wielding the sceptre of the universe.
Page 219 - ... alumna eadem et parens, numine deum electa, quae caelum ipsum clarius faceret, sparsa congregaret imperia ritusque molliret et tot populorum discordes ferasque linguas sermonis commercio contraheret ad conloquia et humanitatem homini daret breviterque una cunctarum gentium in toto orbe patria fieret.
Page 236 - I have seen the walls of Balclutha, but they were desolate. The fire had resounded in the halls; and the voice of the people is heard no more. The stream of Clutha was removed from its place by the fall of the walls. The thistle shook there its lonely head: the moss whistled to the wind. The fox looked out from the windows, the rank grass of the wall waved round its head. Desolate is the dwelling of Moina; silence is in the house of her fathers.
Page 22 - The medal, faithful to its charge of fame, Through climes and ages bears each form and name: In one short view subjected to our eye, Gods, emperors, heroes, sages, beauties, lie. With sharpen'd sight pale antiquaries pore, Th' inscription value, but the rust adore.
Page 205 - The entrance to this enclosure is by a path, winding along the foot of the mountain ; and nothing remarkable strikes the eye till one passes the gate, where the attention is at once powerfully arrested. Not only is the space within the wall filled with images of Gaudama of every size, but the whole face of the mountain, to the height of eighty or ninety feet, is covered with them. On every...