The Works of John Dryden: Now First Collected ...W. Miller, 1808 - English literature |
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Now First Collected ... John Dryden, Walter Scott. FILDEN LIBRARY 1895 1 CONTENTS OF VOLUME SEVENTEENTH The Life of Plutarch ,
Now First Collected ... John Dryden, Walter Scott. FILDEN LIBRARY 1895 1 CONTENTS OF VOLUME SEVENTEENTH The Life of Plutarch ,
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... Plutarch , Dedication to the Duke of Ormond , & c . Specimen of the Translation of the History of the League , ... Dedication to the King , PAGE . 1 5 77 81 93 The Author's Advertisement to the Reader , The History of the League , Book ...
... Plutarch , Dedication to the Duke of Ormond , & c . Specimen of the Translation of the History of the League , ... Dedication to the King , PAGE . 1 5 77 81 93 The Author's Advertisement to the Reader , The History of the League , Book ...
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... , containing a Parallel between Painting and Poetry , PAGE . 279 A Parallel of Poetry and Painting , ..... 286 The Preface of M. de Piles , the French Translator , ... 333 THE LIFE OF PLUTARCH . VOL . XVII . THE CONTENTS .
... , containing a Parallel between Painting and Poetry , PAGE . 279 A Parallel of Poetry and Painting , ..... 286 The Preface of M. de Piles , the French Translator , ... 333 THE LIFE OF PLUTARCH . VOL . XVII . THE CONTENTS .
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Now First Collected ... John Dryden, Walter Scott. THE LIFE OF PLUTARCH . VOL . XVII . THE LIFE OF PLUTARCH . IN 1683 , appeared the.
Now First Collected ... John Dryden, Walter Scott. THE LIFE OF PLUTARCH . VOL . XVII . THE LIFE OF PLUTARCH . IN 1683 , appeared the.
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... , containing a Parallel between Painting and Poetry , PAGE . 279 A Parallel of Poetry and Painting , ..... 286 The Preface of M. de Piles , the French Translator , ... 333 THE LIFE OF PLUTARCH , VOL . XVII . V CONTENTS .
... , containing a Parallel between Painting and Poetry , PAGE . 279 A Parallel of Poetry and Painting , ..... 286 The Preface of M. de Piles , the French Translator , ... 333 THE LIFE OF PLUTARCH , VOL . XVII . V CONTENTS .
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admirable Æneids afterwards amongst ancient answer Apelles appear atque beautiful believe betwixt bishop bishop of Winchester bishop of Worcester body called Cardinal of Bourbon Catholic cause church of England church of Rome Cicero colours commanded confess Correggio defence desire discourse divine draperies Dryden Duchess Duke of Guise endeavour excellent eyes farther favour figures genius give grace greatest hand Holy honour Huguenots imitate judgment king King of Navarre king's League learned least lights and shadows living majesty manner matter means mind nature never noble observed opinion painter painting particular passions Paul Veronese perfect person Philostratus picture pleasing Plutarch poet poetry Pope precept pretended prince principal quæ reader reason Reformation relation religion Roman rules saith scripture shew sight soul speak ther things thought tion Titian Trajan translation true truth ture virtue wherein whole wholly words XVII
Popular passages
Page 85 - And he said, Open the window eastward. And he opened it. Then Elisha said, Shoot. And he shot. And he said, The arrow of the Lord's deliverance, and the arrow of deliverance from Syria : for thou shalt smite the Syrians in Aphek, till thou have consumed them.
Page 84 - And it came to pass at the seventh time, that he said, Behold, there ariseth a little cloud out of the sea like a man's hand. And he said, Go up, say unto Ahab, Prepare thy chariot, and get thee down, that the rain stop thee not.
Page 282 - With thee on Raphael's monument I mourn, Or wait inspiring dreams at Maro's urn : With thee repose where Tully once was laid...
Page 323 - Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Page 325 - Friar, as fond as otherwise I am of it, from this imputation ; for though the comical parts are diverting, and the serious moving, yet they are of an unnatural mingle : for mirth and gravity destroy each other, and are no more to be allowed for decent, than a gay widow laughing in a mourning habit.
Page 314 - Painter should be conformable to the text of ancient authors, to the custom and the times ;" and this is exactly the same in Poetry : Homer and Virgil are to be our guides in the Epic ; Sophocles and Euripides in Tragedy ; in all things we are to imitate the customs and the times of those persons and things which we represent : not to make new rules of the Drama, as Lopez de Vega has attempted unsuccessfully to do, but to be content to follow our masters, who understood nature better than we.
Page 209 - What will it profit a man to gain the whole world and lose his own soul ?' Remember how often Paul appeals to his holy, just, unblameable life.
Page 297 - The perfection of such stage-characters consists chiefly in their likeness to the deficient faulty nature, which is their original ; only, as it is observed more at large hereafter, in such cases there will always be found a better likeness and a worse, and the better is constantly to be chosen ; I mean in tragedy, which represents the figures of the highest form amongst mankind. Thus in portraits, the painter will not take that side of the face, which...
Page 313 - ... cattle," says the Poet : or at best, the keepers of cattle for other men : they have nothing which is properly their own ; that is a sufficient mortification for me, while I am translating Virgil. But to copy the best author is a kind of praise if I perform it as I ought ; as a copy after Raphael is more to be commended than an original of any indifferent Painter. Under this head of invention is placed the disposition of the work, to put all things in a beautiful order and harmony, that the whole...
Page 324 - Poetry : in the character of an hero, as well as in an inferior figure, there is a better or worse likeness to be taken ; the better is a panegyric, if it be not false, and the worse is a libel. Sophocles, says Aristotle, always drew men as they ought to be; that is, better than they were. Another, whose name I have forgotten, drew them worse than naturally they were. Euripides altered nothing in the character, but made them such as they were represented by History, Epic Poetry, or Tradition. Of...