Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684–1750
Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers.
Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story—one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.
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action Adams Adventures aesthetic amorous intrigue Amours antinovel discourse appears Atalantis Aubin becomes Behn's body bookseller Briljard Censurer century chapter character Charlot claims Clarissa critical critique dangerous debate Defoe Defoe's describes desire developed disguise duke early modern early novel effect eighteenth eighteenth-century elevated novel Eliza Haywood English novel entertainment erotic essay ethical example father feminist Fielding's formula fiction French gender Haywood heroine imitation Joseph Andrews Lady literary history Love in Excess Love Letters lovers Manley Manley's media culture Melliora ment moral narrative narrator novel reading novel's rise novelistic novels of amorous novels of Behn object Octavio offers Pamela media event passion Penelope Aubin performance Philander Philander's pleasure plot political popular print market produces reading practices realist reform resistance Richardson and Fielding role Roxana Samuel Richardson scene seduction sexual Shamela social species story suggests superego Susan tion Tom Jones virtue writing young