The Theory of the Arts: Or, Art in Relation to Nature, Civilization, and Man. Comprising an Investigation, Analytical and Critical, Into the Origin, Rise, Province, Principles, and Application of Each of the Arts, Volume 2 |
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Page v
... action 36 6. Action past , present , and prospective 38 7. Unity of action 40 8. Repose 41 9. Still life 10. Inanimate nature . 11. Death 12. Examples in each art 43 45 46 52 CHAPTER XI . CHARACTER AND EMOTION IN ARTISTICAL REPRESENTATION .
... action 36 6. Action past , present , and prospective 38 7. Unity of action 40 8. Repose 41 9. Still life 10. Inanimate nature . 11. Death 12. Examples in each art 43 45 46 52 CHAPTER XI . CHARACTER AND EMOTION IN ARTISTICAL REPRESENTATION .
Page vi
... EMOTION IN ARTISTICAL REPRESENTATION . 1. Representation of human nature 2. Description and expression 3. Personal endowments . 4. Personal qualities 5. Animal feelings 6. Expression of sentiments 7. Exhibition of compound operations 8 ...
... EMOTION IN ARTISTICAL REPRESENTATION . 1. Representation of human nature 2. Description and expression 3. Personal endowments . 4. Personal qualities 5. Animal feelings 6. Expression of sentiments 7. Exhibition of compound operations 8 ...
Page 11
... emotions of the soul . In the painting of the Last Judgment ' by Michael An- gelo , the various groups collected in it , although each bearing their part in the whole design , appear as distinct and indepen- dent , and consequently as ...
... emotions of the soul . In the painting of the Last Judgment ' by Michael An- gelo , the various groups collected in it , although each bearing their part in the whole design , appear as distinct and indepen- dent , and consequently as ...
Page 12
... emotions in the mind , whether painful or pleasurable , and whether of sublimity , beauty , terror , or surprise . In the ' Last Judgment ' of Michael Angelo , notwithstanding the great diversity of incidents represented , every ...
... emotions in the mind , whether painful or pleasurable , and whether of sublimity , beauty , terror , or surprise . In the ' Last Judgment ' of Michael Angelo , notwithstanding the great diversity of incidents represented , every ...
Page 49
... emotions of anguish and pity which seem to creep into it , and with which the picture as it were infects it . But with all this , there is nothing in the composition that is directly offen- sive or revolting . Death should be ...
... emotions of anguish and pity which seem to creep into it , and with which the picture as it were infects it . But with all this , there is nothing in the composition that is directly offen- sive or revolting . Death should be ...
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The Theory of the Arts: Or, Art in Relation to Nature, Civilization, and Man ... George Harris No preview available - 2016 |
Common terms and phrases
action admiration afforded ancient angel Anglo-Saxons animals appears architecture artists attained beauty Book of Job celestial Chapter character and emotion character and feeling Charon colour composition costume countenance delineation Demosthenes depicted described dignity displayed effect element Elgin Marbles endowed epic especially evinced excellence excited exhibited expression extent figure forcibly gardening genius grandeur heaven highest human nature ideas Iliad imaginative effort important individual intellectual invention kind landscape scenery Laocoon Last Judgment latter mainly manner metre in poetry mind mode moreover narration nation noble objects observed operation original painter painting and sculpture Paradise Lost passion patronage perfect persons Physiognomy Pict poet portrayed possess principles produced qualities racter Raphael regards Rembrandt representation represented respect Salvator Rosa scene sculpture and architecture Sect sentiments serve Shakspeare Sir Joshua Reynolds skill soul striking style sublime supernatural taste tion ture Vide vigour Virgil
Popular passages
Page 97 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal* vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Page 132 - It is he that sitteth upon the circle of the earth, and the inhabitants thereof are as grasshoppers ; that stretcheth out the heavens as a curtain, and spreadeth them out as a tent to dwell in: That bringeth the princes to nothing ; he maketh the judges of the earth as vanity.
Page 96 - I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there; And. thy commandment all alone shall live Within the book and volume of my brain, Unmix'd with baser matter: yes, by heaven.
Page 132 - Behold, the nations are as a drop of a bucket, and are counted as the small dust of the balance : behold, he taketh up the isles as a very little thing.
Page 95 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul...
Page 131 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up...
Page 124 - As when the moon, refulgent lamp of night, O'er Heaven's clear azure spreads her sacred light, When not a breath disturbs the deep serene, And not a cloud o'ercasts the solemn scene ; Around her throne the vivid planets roll, And stars unnumber'd gild the glowing pole, O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head...
Page 134 - He bindeth up the waters in his thick clouds; and the cloud is not rent under them. "He holdeth back the face of his throne, and spreadeth his cloud upon it.
Page 173 - And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses were as the heads of lions : and out of their mouths issued fire and smoke and brimstone.
Page 172 - And the shapes of the locusts were like unto horses prepared unto battle ; and on their heads were as it were crowns like gold, and their faces were as the faces of men.