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Caius Marcius Coriolanus, a noble Roman.

Titus Lartius, Generals against the Volscians.

Cominius,

Menenius Agrippa, Friend to Coriolanus.
Sicinius Velutus,

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Tribunes of the People.

Junius Brutus,
Young Marcius, Son to Coriolanus.
A Roman Herald.

Tullus Aufidius, General of the Volscians.

Lieutenant to Aufidius.
Conspirators with Aufidius.
A Citizen of Antium.
Two Volscian Guards.

Volumnia, Mother to Coriolanus.
Virgilia, Wife to Coriolanus.
Valeria, Friend to Virgilia.
Gentlewoman, attending Virgilia.

Roman and Volscian Senators, Patricians, Ediles, Lictors, Soldiers, Citizens, Messengers, Servants to Aufidius, and other Attendants.

SCENE, partly in Rome; and partly in the Territories of the Volscians and Antiates.

CORIOLANUS.

ACT I. SCENE I.

Rome. A Street.

Enter a Company of mutinous Citizens, with Staves, Clubs, and other Weapons.

1 CIT. Before we proceed any further, hear me speak.

CIT. Speak, speak.

[Several speaking at once.

1 CIT. You are all resolved rather to die, than to famish?

CIT. Resolved, resolved.

1 CIT. First you know, Caius Marcius is chief enemy to the people.

CIT. We know't, we know't.

1 CIT. Let us kill him, and we'll have corn at our own price. Is't a verdict?

CIT. No more talking on't; let it be done: away, away.

2 CIT. One word, good citizens.

1 CIT. We are accounted poor citizens; the

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patricians, good:' What authority surfeits on, would relieve us; If they would yield us but the superfluity, while it were wholesome, we might guess, they relieved us humanely; but they think, we are too dear: the leanness that afflicts us, the object of our misery, is as an inventory to particularize their abundance; our sufferance is a gain to them. -Let us revenge this with our pikes,3 ere we be

11 Cit. We are accounted poor citizens; the patricians, good:] Good is here used in the mercantile sense. So, Touchstone in Eastward Hoe:

FARMER.

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known good men, well monied." Again, in The Merchant of Venice : "Antonio's a good man.' MALONE.

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but they think, we are too dear:] They think that the charge of maintaining us is more than we are worth. JOHNSON.

3 Let us revenge this with our pikes, ere we become rakes:] It was Shakspeare's design to make this fellow quibble all the way. But time, who has done greater things, has here stifled a miserable joke; which was then the same as if it had been now wrote, Let us now revenge this with forks, ere we become rakes: for pikes then signified the same as forks do now. So, Jewel in his own translation of his Apology, turns Christianos ad furcas condemnare, to-To condemn christians to the pikes. But the Oxford editor, without knowing any thing of this, has with great sagacity found out the joke, and reads on his own autho rity, pitch-forks. WARBURTON.

It is plain that, in our author's time, we had the proverb, as lean as a rake. Of this proverb the original is obscure. Rake now signifies a dissolute man, a man worn out with disease and debauchery. But the signification is, I think, much more mo dern than the proverb. Rakel, in Islandick, is said to mean a cur-dog, and this was probably the first use among us of the word rake; as lean as a rake is, therefore, as lean as a dog too worthless to be fed. JOHNSON.

It may be so: and yet I believe the proverb, as lean as a rake, owes its origin simply to the thin taper form of the instrument made use of by hay-makers. Chaucer has this simile in his description of the clerk's horse in the prologue to the Canterbury Tales, Mr. Tyrwhitt's edit. v. 281:

"As lene was his hors as is a rake."

come rakes: for the gods know, I speak this in hunger for bread, not in thirst for revenge.

2 CIT. Would you proceed especially against Caius Marcius?

CIT. Against him first; he's a very dog to the commonalty.

2 CIT. Consider you what services he has done for his country?

1 CIT. Very well; and could be content to give him good report for't, but that he pays himself with being proud.

2 CIT. Nay, but speak not maliciously.

1 CIT. I say unto you, what he hath done famously, he did it to that end: though soft conscienc❜d men can be content to say, it was for his. country, he did it to please his mother, and to be partly proud; which he is, even to the altitude of

his virtue.

2 CIT. What he cannot help in his nature, you

Spenser introduces it in the second Book of his Fairy Queen, Canto II:

"His body lean and meagre as a rake.”

As thin as a whipping-post, is another proverb of the same kind. Stanyhurst, in his translation of the third Book of Virgil, 1582, describing Achæmenides, says:

"A meigre leane rake," &c.

This passage, however, seems to countenance Dr. Johnson's supposition; as also does the following from Churchyard's Tragicall Discourse of the Haplesse Man's Life, 1593:

"And though as leane as rake in every rib."

STEEVENS.

*Cit. Against him first; &c.] This speech is in the old play, as here, given to a body of the Citizens speaking at once. I be lieve, it ought to be assigned to the first Citizen. MALONE.

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to the altitude-] So, in King Henry VIII: “He's traitor to the height." STEEVENS.

account a vice in him: You must in no way say, he is covetous.

1 CIT. If I must not, I need not be barren of accusations; he hath faults, with surplus, to tire in repetition. [Shouts within.] What shouts are these? The other side o'the city is risen: Why stay we prating here? to the Capitol.

CIT. Come, come.

1 CIT. Soft; who comes here ?

Enter MENENIUS AGRIPPA.

2 CIT. Worthy Menenius Agrippa; one that hath always loved the people.

1 CIT. He's one honest enough; 'Would, all the rest were so!

MEN. What work's, my countrymen, in hand? Where go you

With bats and clubs? The matter? Speak, I pray

you.

1 CIT. Our business is not unknown to the senate; they have had inkling, this fortnight, what we intend to do, which now we'll show 'em in deeds. They say, poor suitors have strong breaths; they shall know, we have strong arms too.

MEN. Why, masters, my good friends, mine honest neighbours, Will you undo yourselves?

"Our business &c.] This and all the subsequent plebeian speeches in this scene are given in the old copy to the second Citizen. But the dialogue at the opening of the play shows that it must have been a mistake, and that they ought to be attributed to the first Citizen. The second is rather friendly to Coriolanus.

MALONE.

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