The Works of the Right Honourable Edmund Burke, Volume 1C. and J. Rivington, 1815 - Great Britain |
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Page 115
... can hardly be put in motion by the delicate and refined play of the imagination . These men , though from a different cause , become as stupid and insensible as the former ; but whenever either of 12 and ON TASTE . 115.
... can hardly be put in motion by the delicate and refined play of the imagination . These men , though from a different cause , become as stupid and insensible as the former ; but whenever either of 12 and ON TASTE . 115.
Page 157
... motions are suspended , with some degree of horrour * . In this case the mind is so entirely filled with its object , that it cannot entertain any other , nor by con- sequence reason on that object which employs it . Hence arises the ...
... motions are suspended , with some degree of horrour * . In this case the mind is so entirely filled with its object , that it cannot entertain any other , nor by con- sequence reason on that object which employs it . Hence arises the ...
Page 191
... motion . A quick transi- tion from light to darkness , or from darkness to light , has yet a greater effect . But darkness is more productive of sublime ideas than light . Our great poet was convinced of this ; and indeed so full was he ...
... motion . A quick transi- tion from light to darkness , or from darkness to light , has yet a greater effect . But darkness is more productive of sublime ideas than light . Our great poet was convinced of this ; and indeed so full was he ...
Page 244
... motion of the eye contributes to its beauty , by continually shifting its its direction ; but a slow and languid motion is. * Part IV . Sect . 25 . * L'Allegro . 244 ON THE SUBLIME.
... motion of the eye contributes to its beauty , by continually shifting its its direction ; but a slow and languid motion is. * Part IV . Sect . 25 . * L'Allegro . 244 ON THE SUBLIME.
Page 245
Edmund Burke. its direction ; but a slow and languid motion is more beautiful than a brisk one ; the latter is enlivening ; the former lovely . Thirdly , with re- gard to the union of the eye with the neighbouring parts , it is to hold ...
Edmund Burke. its direction ; but a slow and languid motion is more beautiful than a brisk one ; the latter is enlivening ; the former lovely . Thirdly , with re- gard to the union of the eye with the neighbouring parts , it is to hold ...
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admiration ęther affected agreeable anatomist animals appear Arabian horse arises artificial artificial society attention body Bohemia cause of beauty cerning colours common concerning consider considerable continually danger darkness degree delight disposition efficient cause emotion enquiry equal excite faculty fear fear act feeling figure greater havock horrour human idea of beauty images imagination imitation infinite judge judgment kind labour light mankind manner means mind motion musick nature ness never object observed operate pain painting papillę passions perceive person Phlegethon Physiognomy piece pleased poetry positive pleasure Priam principles produce proportion publick purpose qualities reason relaxation SECT sense sensible shew sions slavery smooth society sophism sort sounds species strength striking strong SUBLIME AND BEAUTIFUL suppose sweet taste tension terrible terrour things tion truth uniform unoperative Venus de Medicis violent virtue weak whilst whole words
Popular passages
Page 161 - The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either ; black it stood as night, Fierce as ten furies, terrible as hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
Page 248 - And ever against eating cares Lap me in soft Lydian airs Married to immortal verse, Such as the meeting soul may pierce In notes, with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...
Page 187 - Mercury, And vaulted with such ease into his seat As if an angel dropp'd down from the clouds, To turn and wind a fiery Pegasus, And witch the world with noble horsemanship.
Page 166 - In thoughts from the visions of the night, when deep sleep falleth on men, Fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up: It stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice...
Page 141 - IT is by the first of these passions that we enter into the concerns of others; that we are moved as they are moved, and are never suffered to be indifferent spectators of almost any thing which men can do or suffer.
Page 158 - No passion so effectually robs the mind of all its powers of acting and reasoning as fear. For fear being an apprehension of pain or death, it operates in a manner that resembles actual pain. Whatever therefore is terrible, with regard to sight, is sublime too, whether this cause of terror, be endued with greatness of dimensions or not; for it is impossible to look on any thing as trifling, or contemptible, that may be dangerous.
Page 165 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 174 - Tremble, thou earth, at the presence of the Lord, at the presence of the God of Jacob; 8.
Page 171 - Who hath sent out the wild ass free ? or who hath loosed the bands of the wild ass ? Whose house I have made the wilderness, and the barren land his dwellings. He scorneth the multitude of the city, neither regardeth he the crying of the driver. The range of the mountains is his pasture, and he searcheth after every green thing.
Page 317 - This idea or this affection caused by a word, which nothing but a word could annex to the others, raises a very great degree of the sublime ; and this sublime is raised yet .higher by what follows, a "universe of Death.