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SECT. II.

PAIN AND PLEASURE.

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IT seems then necessary towards moving the passions of people advanced in life to any considerable degree, that the objects designed for that purpose, besides their being in some measure new, should be capable of exciting pain or pleasure from other causes. Pain and pleasure are simple ideas, incapable of definition. People are not liable to be mistaken in their feelings, but they are very frequently wrong in the names they give them, and in their reasonings about them. Many are of opinion, that pain arises necessarily from the removal of some pleasure; as they think pleasure does from the ceasing or diminution of some pain! For my part, I am rather inclined to imagine, that pain and pleasure, in their most simple and natural manner of affecting, are each of a positive nature, and by no means necessarily dependent on each other for their existence. The human mind is often, and I think it is for the most part, in a state neither of pain nor pleasure, which I call a state of indifference. When I am carried from this state into a state of actual pleasure, it does not appear necessary that I should pass through the medium of any sort of pain. If in such a state of indifference, or ease, or tranquillity, or call it what

you

you please, you were to be suddenly entertained with a concert of musick; or suppose some object of a fine shape, and bright lively colours, to be presented before you; or imagine your smell is gratified with the fragrance of a rose; or if without any previous thirst you were to drink of some pleasant kind of wine, or to taste of some sweetmeat without being hungry; in all the several senses, of hearing, smelling, and tasting, you undoubtedly find a pleasure; yet if I enquire into the state of your mind previous to these gratifications, you will hardly tell me that they found you in any kind of pain; or, having satisfied these several senses with their several pleasures, will you say that any pain has succeeded, though the pleasure is absolutely over? Suppose, on the other land, a man in the same state of indifference, to receive a violent blow, or to drink of some bitter potion, or to have his ears wounded with some harsh and grating sound; here is no removal of pleasure; and yet here is felt, in every sense which is affected, a pain very distinguishable. It may be said, perhaps, that the pain in these cases had its rise from the removal of the pleasure which the man enjoyed before, though that pleasure was of so low a degree as to be perceived only by the removal. But this seems to me a subtilty, that is not discoverable in nature. For if, previous to the pain, I do not feel any actual pleasure, I have

no

no reason to judge that any such thing exists; since pleasure is only pleasure as it is felt. The same may be said of pain, and with equal reason. I can never persuade myself that pleasure and pain are mere relations, which can only exist as they are contrasted; but I think I can discern clearly that there are positive pains and pleasures, which do not at all depend upon each other. Nothing is more certain to my own feelings than this. There is nothing which I can distinguish in my mind with more clearness than the three states, of indifference, of pleasure, and of pain. Every one of these I can perceive without any sort of idea of its relation to any thing else. Caius is afflicted with a fit of the cholick; this man is actually in pain; stretch Caius upon the rack, he will feel a much greater pain: but does this pain of the rack arise from the removal of any pleasure? or is the fit of the cholick a pleasure or a pain just as we are pleased to consider it?

SECT. III.

THE DIFFERENCE BETWEEN THE REMOVAL OF PAIN, AND POSITIVE PLEASURE.

WE shall carry this proposition yet a step farther. We shall venture to propose, that pain and pleasure are not only not necessarily dependent

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for their existence on their mutual diminution or

removal, but that, in reality, the diminution or ceasing of pleasure does not operate like positive pain; and that the removal or diminution of pain, in its effect, has very little resemblance to positive pleasure. The former of these propositions will, I believe, be much more readily allowed than the latter; because it is very evident that pleasure, when it has run its career, sets us down very nearly where it found us. Pleasure of every kind quickly satisfies; and when it is over, we relapse into indifference, or rather we fall into a soft tranquillity, which is tinged with the agreeable colour of the former sensation. I own it is not at first view so apparent, that the removal of a great pain does not resemble positive pleasure; but let us recollect in what state we have found our minds upon escaping some imminent danger, or on being released from the severity of some cruel pain. We have on such occasions found, if I am not much mistaken, the temper of our minds in a tenour very remote from that which attends the presence of positive pleasure; we have found them in a state of much sobriety, impressed with a sense of awe,

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Mr. Locke [Essay on Human Understanding, l. ii. c. 20, sect. 16.] thinks that the removal or lessening of a pain is considered and operates as a pleasure, and the loss or diminishing of pleasure as a pain. It is this opinion which we consider here,

in a sort of tranquillity shadowed with horrour. The fashion of the countenance and the gesture of the body on such occasions is so correspondent to this state of mind, that any person, a stranger to the cause of the appearance, would rather judge us under some consternation, than in the enjoyment of any thing like positive pleasure.

Ως δ' όταν ανδρ' άλη πυκινη λάβη, ος εν παίρ
Φωλα καλακλεινας, αλλον εξίκετο δήμον,

Άνδρος ες αφνεις, θαμβος δ' εχει εισοροωνίας.

Iliad. 24.

As when a wretch, who, conscious of his crime,
Pursued for murder from his native clime,
Just gains some frontier, breathless, pale, amaz'd;
All gaze, all wonder!

This striking appearance of the man whom Homer supposes to have just escaped an imminent danger, the sort of mixed passion of terrour and surprise, with which he affects the spectators, paints very strongly the manner in which we find ourselves affected upon occasions any way similar. For when we have suffered from any violent emotion, the mind naturally continues in something like the same condition, after the cause which first produced it has ceased to operate. The tossing of the sea remains after the storm; and when this remain of horrour has entirely subsided, all the passion, which the accident raised, subsides along

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