The Roman Poets of the Augustan Age: Virgil, Volume 1 |
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Page xiv
... Artistic form given to these primitive elements by Theocritus Difference between the pastoral life of Sicily and rural life of 158 Italy · 161 III . Truth of feeling in the Eclogues Inferiority of the Eclogues in truth and vividness of ...
... Artistic form given to these primitive elements by Theocritus Difference between the pastoral life of Sicily and rural life of 158 Italy · 161 III . Truth of feeling in the Eclogues Inferiority of the Eclogues in truth and vividness of ...
Page xvii
... artistic execution PAGE 263 264 265 269 270 273 CHAPTER VIII . THE ROMAN EPIC BEFORE THE TIME OF VIRGIL . Distinction between primitive and literary epic Absence of primitive epics from Roman literature 277-291 277 The Roman epic ...
... artistic execution PAGE 263 264 265 269 270 273 CHAPTER VIII . THE ROMAN EPIC BEFORE THE TIME OF VIRGIL . Distinction between primitive and literary epic Absence of primitive epics from Roman literature 277-291 277 The Roman epic ...
Page xix
... artistic compromise Sources of creative power in Virgil's genius II . Supernatural Agencies , Observances , and Beliefs in the Aeneid Part played by the Olympian Divinities in the Aeneid by the Powers of the Italian mythology . 29 ...
... artistic compromise Sources of creative power in Virgil's genius II . Supernatural Agencies , Observances , and Beliefs in the Aeneid Part played by the Olympian Divinities in the Aeneid by the Powers of the Italian mythology . 29 ...
Page 17
... artistic , which had been inherited from the past1 . It must have been difficult for any one to be altogether unmoved by the innumerable symbols of religion visible around him , suggestive of a con- stant and immediate action of a ...
... artistic , which had been inherited from the past1 . It must have been difficult for any one to be altogether unmoved by the innumerable symbols of religion visible around him , suggestive of a con- stant and immediate action of a ...
Page 33
... artistic as well as a religious purpose . He wished to make his countrymen proud of the outward beauty of Rome , as Pericles had made the Athenians proud of the beauty of Athens . The most enduring result of this munificence , more ...
... artistic as well as a religious purpose . He wished to make his countrymen proud of the outward beauty of Rome , as Pericles had made the Athenians proud of the beauty of Athens . The most enduring result of this munificence , more ...
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Common terms and phrases
admiration Aeneas Aeneid affection Alexandrine ancient appears artistic associations atque Augustan Age Augustan literature Augustus battle of Actium beauty belief Book Catullus century character charm Cicero composition connexion contemporary criticism cultivated culture didactic divine early Eclogues eminent Emperor Empire enjoyment Ennius epic epochs expression familiar favour feeling force Gallus genius Georgics glory Greek Hesiod Homer human idea ideal imagination imitative impression impulse influence inspiration interest Italian Italy Julius Caesar labour land language later Latin lines literary literature living Lucretius Maecenas Mantua ment mind modern mythology native nature Odes original outward Ovid passages passion pastoral philosophical poem poetical poetry political Pollio probably Propertius quae race realise recognised regarded religious Republic Roman poets Rome Satires seems sense sentiment social spirit style Suetonius suggested sympathy Tacitus taste Theocritus thought Tibullus tion tone traditions various Virgil Virgil and Horace words writers
Popular passages
Page 245 - Hanc olim veteres vitam coluere Sabini, hanc Remus et frater, sic fortis Etruria crevit scilicet et rerum facta est pulcherrima Roma, septemque una sibi muro circumdedit arces.
Page 159 - ... hinc tibi quae semper vicino ab limite saepes Hyblaeis apibus florem depasta salicti saepe levi somnum suadebit inire susurro hinc alta sub rupe canet frondator ad auras nee tamen interea raucae tua cura palumbes nee gemere aeria cessabit turtur ab ulmo.
Page 239 - Tam multae scelerum facies; non ullus aratro Dignus honos; squalent abductis arva colonis, Et curvae rigidum falces conflantur in ensem. Hinc movet Euphrates, illinc Germania bellum ; Vicinae ruptis inter se legibus urbes 510 Arma ferunt ; saevit toto Mars impius orbe : Ut cum carceribus sese effudere quadrigae, Addunt in spatia, et frustra retinacula tendens Fertur equis auriga, neque audit currus habenas.
Page 159 - PR o mihi tum longae maneat pars ultima vitae, spiritus et, quantum sat erit tua dicere facta : non me carminibus vincet nee Thracius Orpheus, 55 nee Linus, huic mater quamvis atque huic pater adsit, Orphei Calliopea, Lino formosus Apollo.