Characteristics of Women, Moral, Poetical, and Historical, Volume 1 |
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Page 72
... Shylock , that Portia has received less than justice at their hands ; while the fact is , that Shylock is not a finer or more finished character in his way , than Portia is in her's . These two splendid figures are worthy of each other ...
... Shylock , that Portia has received less than justice at their hands ; while the fact is , that Shylock is not a finer or more finished character in his way , than Portia is in her's . These two splendid figures are worthy of each other ...
Page 78
... Shylock . She next attacks his avarice : Shylock , there's thrice thy money offered thee ! Then she appeals , in the same breath , both to his avarice and his pity : Be merciful ! Take thrice thy money . Bid me 78 CHARACTERS OF INTELLECT .
... Shylock . She next attacks his avarice : Shylock , there's thrice thy money offered thee ! Then she appeals , in the same breath , both to his avarice and his pity : Be merciful ! Take thrice thy money . Bid me 78 CHARACTERS OF INTELLECT .
Page 79
... Shylock , and are evidently intended to penetrate his bosom . In the same spirit she asks for the balance to weigh the pound of flesh ; and entreats of Shylock to have a surgeon ready- Have by some surgeon , Shylock , on your charge ...
... Shylock , and are evidently intended to penetrate his bosom . In the same spirit she asks for the balance to weigh the pound of flesh ; and entreats of Shylock to have a surgeon ready- Have by some surgeon , Shylock , on your charge ...
Page 80
... Shylock , carrying his savage bent " to the last hour of act , " springs on his victim- " A sentence ! come , prepare ! " then the smothered scorn , indignation , and disgust , burst forth with an impetuosity which interferes with the ...
... Shylock , carrying his savage bent " to the last hour of act , " springs on his victim- " A sentence ! come , prepare ! " then the smothered scorn , indignation , and disgust , burst forth with an impetuosity which interferes with the ...
Page 81
... Shylock ; we must understand her concealed purpose , keep in mind her noble motives , and pursue in our fancy the under current of feeling , working in her mind throughout . The terror and the power of Shylock's character , his deadly ...
... Shylock ; we must understand her concealed purpose , keep in mind her noble motives , and pursue in our fancy the under current of feeling , working in her mind throughout . The terror and the power of Shylock's character , his deadly ...
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affection ALDA Amleth Angelo Bassanio Beatrice beauty Benedick Bertram breath brother Camiola character charm colours confess COUNTESS death delicacy dignity drama Duchesse de Longueville earth eloquence exquisite eyes faculties fair fancy father fear feeling female feminine FERDINAND FERROLL gentle grace Hamlet hath heart heaven Helena honour horror imagination impression innocence intellect Isabel Isabella Juliet Lady Macbeth less lord lover Madame de Staƫl maid marriage MEDON ment mercy mind Miranda moral mother nature ness never noble nurse o'er Olivia once Ophelia Otley passion Perdita picture pity placed play poetical poetry POLONIUS Portia post 8vo racter romance Romeo Romeo and Juliet Rosalind Roussillon Saunders and Otley scene scorn sense sensibility sentiment Shak Shakspeare Shakspeare's Shylock simplicity soft soul speak spirit story sweet temper tenderness thee Thekla things thou thought tion touch truth vanity Viola virtue whole woman women word young youth