The Perception and Evocation of Literature |
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Page 347
... transformation , ( 2 ) a narrative transformation , and ( 3 ) a scored transformation . An understanding of each leads , naturally , to the possibility that all three can be combined in one production . DRAMATISTIC - DIALOGIC ...
... transformation , ( 2 ) a narrative transformation , and ( 3 ) a scored transformation . An understanding of each leads , naturally , to the possibility that all three can be combined in one production . DRAMATISTIC - DIALOGIC ...
Page 348
... transformation should then be employed . NARRATIVE TRANSFORMATION Aesthetically , this is the purest transformation of literature for multiperformance . As such , it is the transformation most in harmony with the principles of ...
... transformation should then be employed . NARRATIVE TRANSFORMATION Aesthetically , this is the purest transformation of literature for multiperformance . As such , it is the transformation most in harmony with the principles of ...
Page 349
... transformation as a round . The scored transformation can be employed with great interest in many poems , as well as in " scored moments " in both dialogic - dramatistic and narrative transformations . A student working with a tape ...
... transformation as a round . The scored transformation can be employed with great interest in many poems , as well as in " scored moments " in both dialogic - dramatistic and narrative transformations . A student working with a tape ...
Contents
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Copyright | |
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ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer