The Perception and Evocation of Literature |
From inside the book
Results 1-3 of 23
Page 143
... sentence ? ) 2. The third and fourth sentences end with periods . How is the content of sentence three different from that of sentence four ? How does the silence that frames " Being and ideal Grace " balance the concrete image of " sun ...
... sentence ? ) 2. The third and fourth sentences end with periods . How is the content of sentence three different from that of sentence four ? How does the silence that frames " Being and ideal Grace " balance the concrete image of " sun ...
Page 243
... sentences and three declarative ( the last sentence in the first section is a two - part sentence separated by a semicolon ; technically it is one sentence ) . The second sec- tion consists of one declarative sentence . The third ...
... sentences and three declarative ( the last sentence in the first section is a two - part sentence separated by a semicolon ; technically it is one sentence ) . The second sec- tion consists of one declarative sentence . The third ...
Page 279
... sentence takes through its modifications and isolation of units . We know that if we are to speak in the " style of English , " these basic patterns will be used . Structure . A sentence is a structure as well as a patterning . While a ...
... sentence takes through its modifications and isolation of units . We know that if we are to speak in the " style of English , " these basic patterns will be used . Structure . A sentence is a structure as well as a patterning . While a ...
Contents
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Copyright | |
23 other sections not shown
Common terms and phrases
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer