The Perception and Evocation of Literature |
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Page 282
... narrator comes from his sense of what he knows and how he con- trols it . He is , ultimately , at the top of the hierarchic list . That list ... narrator and his 282 The Perception and Evocation of Style Narrator Attachment / Detachment.
... narrator comes from his sense of what he knows and how he con- trols it . He is , ultimately , at the top of the hierarchic list . That list ... narrator and his 282 The Perception and Evocation of Style Narrator Attachment / Detachment.
Page 284
... narrator knows ) -detached / attached to the narrator - narrator's style -the style of others - a combination units ( the " chapters " of his choice ) - carefully sequential , plotted - random , non - sequential - chronological / non ...
... narrator knows ) -detached / attached to the narrator - narrator's style -the style of others - a combination units ( the " chapters " of his choice ) - carefully sequential , plotted - random , non - sequential - chronological / non ...
Page 309
... narrator on the stage , as in Thorn- ton Wilder's Our Town . Most dramatic literature , however , does not employ a narrator ; a play is structured so that ( 1 ) the characters " present " themselves and speak for themselves ; ( 2 ) ...
... narrator on the stage , as in Thorn- ton Wilder's Our Town . Most dramatic literature , however , does not employ a narrator ; a play is structured so that ( 1 ) the characters " present " themselves and speak for themselves ; ( 2 ) ...
Contents
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Copyright | |
23 other sections not shown
Common terms and phrases
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer