The Perception and Evocation of Literature |
From inside the book
Results 1-3 of 36
Page 160
... meaning . FIGURATIVE MEANING VERSUS LITERAL MEANING Figurative language possesses a magical power that transcends literal meaning . The capacity to respond to the magical power of language is not something bestowed by nature upon ...
... meaning . FIGURATIVE MEANING VERSUS LITERAL MEANING Figurative language possesses a magical power that transcends literal meaning . The capacity to respond to the magical power of language is not something bestowed by nature upon ...
Page 166
... meanings , is given deeper , more intense reverberations . Paraphrasing , while sometimes helpful to clarify meaning , merely removes the tension of the simile . To say that " my love is very much like a red rose , a very red rose , a ...
... meanings , is given deeper , more intense reverberations . Paraphrasing , while sometimes helpful to clarify meaning , merely removes the tension of the simile . To say that " my love is very much like a red rose , a very red rose , a ...
Page 170
... meaning by vocal tone and by the auditor's appreciation of that tone , its context on that day , and the speaker's intentional contra- diction of fact . IRONY In irony apparent meaning and actual meaning are two different things . Irony ...
... meaning by vocal tone and by the auditor's appreciation of that tone , its context on that day , and the speaker's intentional contra- diction of fact . IRONY In irony apparent meaning and actual meaning are two different things . Irony ...
Contents
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Copyright | |
23 other sections not shown
Common terms and phrases
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer