The Perception and Evocation of Literature |
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Page 117
... interpreter rather than on the nature of the time within the literature he is performing , the interpreter can be criticized for creating a distorted experience for his audience . Generally speaking , then , the interpreter cre- ates an ...
... interpreter rather than on the nature of the time within the literature he is performing , the interpreter can be criticized for creating a distorted experience for his audience . Generally speaking , then , the interpreter cre- ates an ...
Page 309
... interpreter can only suggest by the use of a subtle eye movement the possibility that Lavinia might have been looking out of the window . The interpreter must concen- trate only upon what is being said , and in so doing , the text of ...
... interpreter can only suggest by the use of a subtle eye movement the possibility that Lavinia might have been looking out of the window . The interpreter must concen- trate only upon what is being said , and in so doing , the text of ...
Page 320
... interpreter . The interpreter seeks to know the sounding - body - voice of another human being . He cannot embody him totally , but he knows what he feels like . This process of embodiment of personae challenges the interpreter's respon ...
... interpreter . The interpreter seeks to know the sounding - body - voice of another human being . He cannot embody him totally , but he knows what he feels like . This process of embodiment of personae challenges the interpreter's respon ...
Contents
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Copyright | |
23 other sections not shown
Common terms and phrases
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer