The Perception and Evocation of Literature |
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Page 70
... give an empathic performance of what he has not experienced , he can be attuned sensitively to what life and its pleasures and vicissitudes are . That to which the performer can give empathy , he must ; that to which he can give ...
... give an empathic performance of what he has not experienced , he can be attuned sensitively to what life and its pleasures and vicissitudes are . That to which the performer can give empathy , he must ; that to which he can give ...
Page 95
... gives to his life anxiety and madness , but - at the same time - a will to endure . In literature the oppressive force or ... give it at a gathering of the town's leading white citizens . When he arrives , however , he finds himself at ...
... gives to his life anxiety and madness , but - at the same time - a will to endure . In literature the oppressive force or ... give it at a gathering of the town's leading white citizens . When he arrives , however , he finds himself at ...
Page 253
... give , if it does , the sense of how he was : he's like a man his tongue was cut out , before even Shiloh showed him an extraordinary executive of men horses and goods 6 . Two things still aren't brought in to give context to the War ...
... give , if it does , the sense of how he was : he's like a man his tongue was cut out , before even Shiloh showed him an extraordinary executive of men horses and goods 6 . Two things still aren't brought in to give context to the War ...
Contents
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Copyright | |
23 other sections not shown
Common terms and phrases
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer