A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable CharactersJ. Murray, 1774 - 224 pages |
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Page 25
... free from the discord of jarring principles . But the end of dra- matic poetry not only requires that the characters be judiciously moulded and aptly cir- circumftanced , but that every passion be naturally expreffed . INTRODUCTION . 25.
... free from the discord of jarring principles . But the end of dra- matic poetry not only requires that the characters be judiciously moulded and aptly cir- circumftanced , but that every passion be naturally expreffed . INTRODUCTION . 25.
Page 26
William Richardson. circumftanced , but that every passion be naturally expreffed . There is certainly a wide difference between the description of the fallies , the repulfes , and impatience of a violent affection , whether they are ...
William Richardson. circumftanced , but that every passion be naturally expreffed . There is certainly a wide difference between the description of the fallies , the repulfes , and impatience of a violent affection , whether they are ...
Page 182
... passion for pilgrimage , the rage of crufades , and all the confequences of that fatal distemper . Moved by a propenfity depending on the fame principles , men of ingenuity , ena- moured of the Mufes , traverse the regions they ...
... passion for pilgrimage , the rage of crufades , and all the confequences of that fatal distemper . Moved by a propenfity depending on the fame principles , men of ingenuity , ena- moured of the Mufes , traverse the regions they ...
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Common terms and phrases
affection againſt agitated agreeable alſo ambition amiable appetites apprehenfion arife averfion becauſe cauſe character circumftances compaffion conduct confequently conftitution deferving defires defpondency difcern diforder difpofe difpofitions diftinguiſhed diſappointed diſcover eaſily effential emotions endeavours eſteem Euripides exceedingly exceffive excited exerciſe expreffed expreffion exquifite falfe fame faſhioned feelings feem felves fenfe fenfibility fentiments fhall fhould fions focial fome forrow foul friendſhip ftate ftill ftriking fuccefs fuch fuffer fufpicion fuperior Hamlet happineſs hath heart Hecuba himſelf human nature Iachimo idea imagination Imogen impreffion increaſe indignation inſtead interefting itſelf Jaques Lady Macbeth lefs Leonatus leſs Lord Macbeth mankind ment mind moft moral moſt motley fool muft muſt nefs obfervations object ourſelves paffion pain perfon pleaſure poffefs preſent principles puniſhment purſue racter reaſon refentment render ſeem ſenſe Shakeſpeare ſhe ſtate temper thefe themſelves theſe thofe thoſe thou tion tuated underſtanding uſe violent virtue whofe