The works of ... Edmund Burke [ed. by W. King and F. Laurence].1792 |
From inside the book
Results 1-5 of 93
Page
... Sublime and Beautiful The first edition of this work was published in the year 1756 : the fecond , with large additions , in the year 1757 . Afhort Account of a late short Adminiftration Obfervations on a Publication , intituled , " The ...
... Sublime and Beautiful The first edition of this work was published in the year 1756 : the fecond , with large additions , in the year 1757 . Afhort Account of a late short Adminiftration Obfervations on a Publication , intituled , " The ...
Page 61
... SUBLIME AND BEAUTIFUL . WITH AN INTRODUCTORY DISCOURSE CONCERNING TAST E , AND SEVERAL OTHER ADDITIONS . CONTENTS . INTRODUCTION . On Tafte . Page 69 PART A Philofophical Enquiry into the Origin of our Ideas the Sublime and Beautiful.
... SUBLIME AND BEAUTIFUL . WITH AN INTRODUCTORY DISCOURSE CONCERNING TAST E , AND SEVERAL OTHER ADDITIONS . CONTENTS . INTRODUCTION . On Tafte . Page 69 PART A Philofophical Enquiry into the Origin of our Ideas the Sublime and Beautiful.
Page 61
... Sublime 99 - 100 VIII . Of the Paffions which belong to Society IX . The final caufe of the difference between the Paffions belonging to felf - prefervation , and thofe which regard the Society of the fexes X. Of Beauty - ΙΟΙ - 102 XI ...
... Sublime 99 - 100 VIII . Of the Paffions which belong to Society IX . The final caufe of the difference between the Paffions belonging to felf - prefervation , and thofe which regard the Society of the fexes X. Of Beauty - ΙΟΙ - 102 XI ...
Page 62
... Sublime II . Terror Page 119 - 120 121 III . Obscurity IV . Of the difference between Clearness and Ob- fcurity with regard to the Paffions [ IV . ] The fame fubject continued V. Power VI . Privation VII . Vaftness VIII . Infinity IX ...
... Sublime II . Terror Page 119 - 120 121 III . Obscurity IV . Of the difference between Clearness and Ob- fcurity with regard to the Paffions [ IV . ] The fame fubject continued V. Power VI . Privation VII . Vaftness VIII . Infinity IX ...
Page 63
... Sublime and Beautiful 197 II . Affociation III . Cause of Pain and Fear - 199 200 IV . Continued 201 V. How the Sublime is produced 203 VI . How Pain can be a caufe of Delight · 204 VII . Exercife neceffary for the finer Organs 205 VIII ...
... Sublime and Beautiful 197 II . Affociation III . Cause of Pain and Fear - 199 200 IV . Continued 201 V. How the Sublime is produced 203 VI . How Pain can be a caufe of Delight · 204 VII . Exercife neceffary for the finer Organs 205 VIII ...
Other editions - View all
Common terms and phrases
adminiſtration againſt almoſt beauty becauſe beſt body Britiſh buſineſs cafe caufe cauſe colonies colours confequence confideration confidered conftitution courſe darkneſs debt defign deſcription difpofition diftinct effect encreaſe eſtabliſhment faid fame fect fecurity feems fenfe fhall fhew fince firſt fituation fociety fome fomething fometimes fpecies ftate ftrength fubject fublime fuch fuffer fufficient fuppofe fupport fure fyftem greateſt Guadaloupe himſelf honour houſe of commons idea imagination impoffible inſtead intereft itſelf juſt laſt leaſt lefs manner meaſures mind minifters moft moſt muſt nature neceffary obferve object occafion oppofite paffions pain parliament peace perfons pleaſe pleaſure poffible prefent principle produce propofed proportion purpoſe raiſed reaſon refpects repeal reprefent revenue ſay ſcheme SECT ſeem ſenſe ſeveral ſhall ſhould ſmall ſmooth ſome ſpecies ſpirit ſtand ſtate ſtill ſtrong ſuch ſyſtem taſte taxes terror thefe themſelves theſe things thofe thoſe tion trade uſe whilft whofe whole
Popular passages
Page 76 - ... a sort of creative power of its own; either in representing at pleasure the images of things in the order and manner in which they were received by the senses, or in combining those images in a new manner, and according to a different order.
Page 564 - ... patriots and courtiers, king's friends and republicans, whigs and tories, treacherous friends and open enemies, — that it was indeed a very curious show, but utterly unsafe to touch, and unsure to stand on.
Page 99 - Without all doubt, the torments which we may be made to suffer are much greater in their effect on the body and mind, than any pleasures which the most learned voluptuary could suggest, or than the liveliest imagination, and the most sound and exquisitely sensible body, could enjoy.
Page 115 - ... as for those called critics, they have generally sought the rule of the arts in the wrong place; they sought it among poems, pictures, engravings, statues, and buildings. But art can never give the rules that make an art. This is, I believe, the reason why artists in general, and poets principally, have been confined in so narrow a circle: they have been rather imitators of one another than of nature...
Page 112 - Now whatever either on good or upon bad grounds tends to raise a man in his own opinion, produces a sort of swelling and triumph that is extremely grateful to the human mind; and this swelling is never more perceived, nor operates with more force, than when without danger we are conversant with terrible objects, the mind always claiming to itself some part of the dignity and importance of the things which it contemplates.
Page 574 - Sir, let the gentlemen on the other side call forth all their ability, let the best of them get up and tell me, what one character of liberty the Americans have, and what one brand of slavery they are free from, if they are bound in their property and industry by all the restraints you can imagine on commerce, and at the same time are made packhorses of every tax you choose to impose, without the least share in granting them. When they bear the...
Page 523 - The feelings of the colonies were formerly the feelings of Great Britain. Theirs were formerly the feelings of Mr. Hampden when called upon for the payment of twenty shillings. Would twenty shillings have ruined Mr. Hampden's fortune ? No ! but the payment of half twenty shillings, on the principle it was demanded, would have made him. a slave.
Page 105 - The satisfaction has been commonly attributed, first, to the comfort we receive in considering that so melancholy a story...
Page 192 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony ; That Orpheus...
Page 122 - IT is one thing to make an idea clear, and another to make it affecting to the imagination. If I make a drawing of a palace, or a temple, or a landscape, I present a very clear idea of those objects; but...