The Primacy of Vision in Virgil's AeneidOne of the masterpieces of Latin and, indeed, world literature, Virgil's Aeneid was written during the Augustan "renaissance" of architecture, art, and literature that redefined the Roman world in the early years of the empire. This period was marked by a transition from the use of rhetoric as a means of public persuasion to the use of images to display imperial power. Taking a fresh approach to Virgil's epic poem, Riggs Alden Smith argues that the Aeneid fundamentally participates in the Augustan shift from rhetoric to imagery because it gives primacy to vision over speech as the principal means of gathering and conveying information as it recounts the heroic adventures of Aeneas, the legendary founder of Rome. Working from the theories of French phenomenologist Maurice Merleau-Ponty, Smith characterizes Aeneas as a voyant-visible, a person who both sees and is seen and who approaches the world through the faculty of vision. Engaging in close readings of key episodes throughout the poem, Smith shows how Aeneas repeatedly acts on what he sees rather than what he hears. Smith views Aeneas' final act of slaying Turnus, a character associated with the power of oratory, as the victory of vision over rhetoric, a triumph that reflects the ascendancy of visual symbols within Augustan society. Smith's new interpretation of the predominance of vision in the Aeneid makes it plain that Virgil's epic contributes to a new visual culture and a new mythology of Imperial Rome. |
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... Cacus in which the theme of light and darkness parallels visual themes already introduced . While casting his eyes over the site of future Rome , Aeneas learns the details about Cacus from Evander , who draws on a past that will inform ...
... Cacus ' lair , Hercules finally comes upon a lofty pillar ( acuta silex / altissima uisu , 233–234 ) . The light / dark contrast is sustained , for the removal of this rock exposes the unlit palace of Cacus to the penetrating rays of ...
... Cacus , with the description of Augustus ( 8.681 ) on Aeneas ' shield , in which Augustus ' temples belch forth flames . Certainly the repeated use of uomo ( 27 ) to describe Cacus ' belching of smoke and fire is striking , but uomo is ...
Contents
CHAPTER 2 | 22 |
Vision Past and Future | 60 |
Love Vision and Destiny | 97 |
Copyright | |
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