Rehearsal: The Principles and Practice of Acting for the Stage |
Contents
THE PLAYER ACQUIRES HABITS | 1 |
Stage traditions11 | 11 |
Photographs | 28 |
Copyright | |
9 other sections not shown
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor ad lib ain't ANNA arms audience AUNT AWAKE AND SING BAXTER BLITHE SPIRIT chair character CHARLES CHRIS Clifford Odets comedy comes dialect door dress DRUMMLE DUCKY Elvira EMMA emotion Eugene O'Neill EXERCISE eyes face father feeling FERGUSON FITCHEL gesture girl give goes GRANDPA GRAY hands head hear hold IAGO inflections IRMA JACKIE JAKE James-Lange theory keep KOLENKHOV LADY TEAZLE laugh LAURA LAUREY lines LIPPO listen LIZA look MADAME ARCATI MADAME BUTTERFLY MAGGIE MAMA MARGARET MARGINAL REMINDERS MAURRANT Maxwell Anderson mean Meenie MIRIAMNE MISS ROBERTS move movement never night Noel Coward onstage OTHELLO pause picks play player rehearsal Reprinted by special rising ROCKETT ROSALIND Ruth scene speak speech stage stand SUSIE talk tell tempo theater thing thought tion tone turn VINNIE voice walk Washburn University What's WHITESIDE window words