Horace: Behind the Public PoetryThis fascinating study of one of the greatest poets of the Augustan Age sheds new light on Horace's works by the way it combines literary analysis with investigation into the poet's social and political circumstances. Lyne's personal and historical approach focuses on the poet's relations with his patron Maecenas, with the Emperor Augustus, and with other grandees. Closely analyzing poems from Satires, Odes, and Epistles, Lyne reveals not only the magnificence of Horace's public literature, but the private man behind it. He shows how Horace neatly balanced deference with the careful assertion of his own social and political standing. According to Lyne, Horace was a master of private insinuation, as well as a skilled maker of public poetry. He was also a master in the art of ordering his works: exactly where a poem occurs is often of the subtlest importance. Lyne also examines the resumption of the great political lyric in the Odes of Book 4 (set aside in 23 B.C.), and contends that, beneath the public face, Horace here exhibited resentment, recording views that undermined earlier patriotic statements. |
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Contents
The Triumviral Period 4331 B C | 12 |
Transition | 21 |
Horace in the First Augustan Period | 40 |
The Unity of a Horatian Ode | 59 |
Grand Addressees in Odes | 68 |
Grand Addressees in Odes 13 continued | 102 |
Maecenas Some Facts and Conjectures | 132 |
Satire 1 | 139 |
Selfassertion and Irritants | 158 |
Sacerdos Musarum and Poet as Vates | 184 |
1712 B C | 193 |
Sapping | 207 |
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Common terms and phrases
Actium actually addressed appendix argues association Augustan Augustus battle beginning better Book Caesar Callimachus chapter consul course death designed direct discussed effect epic Epistle Epodes equestrian evidence example fact father figures follows Fraenkel Horace function further genre Giants give given hand honour Horace Horace's Horatian Hubbard implies important infer interesting invitation Italy Latin least less lines literary lyric Maecenas military mind moral Muses Nisbet occasion Octavian offers opening original particular patron perhaps period person picture Pindar poem poet poetry political position praise present Propertius question quoted reason recusatio reference rich role Roman Rome Satire seems seen sense shows social sort stanzas status suggests surely Syme Syndikus Die Lyrik things thirties Vergil victory wealth write