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Which at the sound of dulcimer and lute,
Cornet and sackbut, harp and psaltery,
The Assyrian slaves adored?

A labyrinth of ruins, Babylon,
Spreads o'er the blasted plain:

The wandering Arab never sets his tent
Within her walls; the shepherd eyes afar
Her evil towers, and devious drives his flock.
Alone unchanged, a free and bridgeless tide,
Euphrates rolls along,

Eternal Nature's work.

From Thalaba the Destroyer.

THE PARADISE OF THE OLD MAN OF THE MOUNTAINS.

Was it to earthly Eden, lost so long,
The youth had found the wondrous way?
But earthly Eden boasts
No terraced palaces,

No rich pavilions, bright with woven gold,
Like these that in the vale

Rise amid odorous groves.

The astonish'd Thalaba,

Doubting as though an unsubstantial dream
Beguiled his passive sense,

A moment closed his eyes;

Still they were there-the palaces and groves,
And rich pavilions glittering golden light.

Where'er his eye could reach,
Fair structures, rainbow-hued, arose;
And rich pavilions through the opening woods
Gleam'd from their waving curtains sunny gold;
And winding through the verdant vale,
Flow'd streams of liquid light;

And fluted cypresses rear'd up
Their living obelisks;

And broad-leaved plane-trees in long colonnades
O'er-arch'd delightful walks,

Where round their trunks the thousand-tendril'd vine

Wound

up

and hung the boughs with greener wreaths,
And clusters not their own.

Wearied with endless beauty, did his eyes
Return for rest? beside him teems the earth
With tulips, like the ruddy evening streak'd;

And here the lily hangs her head of snow;
And here amid her sable cup

Shines the red eye-spot, like one brightest star,
The solitary twinkler of the night;
And here the rose expands
Her paradise of leaves.

Then on his ear what sounds
Of harmony arose!

Far music and the distance-mellow'd song
From bowers of merriment;
The waterfall remote;

The murmuring of the leafy groves;
The single nightingale

Perch'd in the rosier by, so richly toned,
That never from that most melodious bird,
Singing a love-song to his brooding mate,
Did Thracian shepherd by the grave
Of Orpheus hear a sweeter melody,
Though there the Spirit of the Sepulchre
All his own power infuse, to swell
The incense that he loves.

And oh! what odours the voluptuous vale
Scatters from jasmine bowers,
From yon rose wilderness,

From cluster'd henna, and from orange groves,
That with such perfumes fill the breeze
As Peris to their Sister bear,

When from the summit of some lofty tree
She hangs encaged, the captive of the Dives.
They from their pinions shake
The sweetness of celestial flowers,
And, as her enemies impure
From that impervious poison far away
Fly groaning with the torment, she the while
Inhales her fragrant food.

Such odours flow'd upon the world,
When at Mahommed's nuptials, word
Went forth in Heaven, to roll
The everlasting gates of Paradise
Back on their living hinges, that its gales
Might visit all below; the general bliss
Thrill'd every bosom, and the family
Of man, for once, partook one common joy.

From Thalaba the Destroyer

IMMORTALITY OF LOVE.

They sin who tell us Love can die.
With life all other passions fly,
All others are but vanity;
In Heaven ambition cannot dwell,
Nor avarice in the vaults of hell:
Earthly these passions of the earth,
They perish where they have their birth;
But Love is indestructible:

Its holy flame for ever burneth,
From Heaven it came, to Heaven returneth.
Too oft on earth a troubled guest,
At times deceived, at times oppress'd,
It here is tried and purified,
Then hath in Heaven its perfect rest:
It soweth here with toil and care,
But the harvest-time of Love is there.
Oh! when a mother meets on high
The babe she lost in infancy,
Hath she not then, for pains and fears,
The day of woe, the watchful night,
For all her sorrow, all her tears,
An over-payment of delight?

From The Curse of Kehama.

FUNERAL PROCESSION OF ARVALAN.

Midnight, and yet no eye

Through all the Imperial City closed in sleep!
Behold her streets a-blaze

With light that seems to kindle the red sky,
Her myriads swarming through the crowded ways!
Master and slave, old age and infancy,
All, all abroad to gaze;
House-top and balcony

Cluster'd with women, who throw back their veils
With unimpeded and insatiate sight
To view the funeral pomp which passes by,
As if the mournful rite

Were but to them a scene of joyance and delight.

Vainly, ye blessed twinklers of the night,
Your feeble beams ye shed,

Quench'd in the unnatural light which might out-stare
Even the broad eye of day;

And thou from thy celestial way
Pourest, O Moon, an ineffectual ray!
For lo! ten thousand torches flame and flare
Upon the midnight air,

Blotting the lights of heaven
With one portentous glare.

Behold the fragrant smoke in many a fold
Ascending, floats along the fiery sky,
And hangeth visible on high,
A dark and waving canopy.

Hark! 'tis the funeral trumpet's breath!
'Tis the dirge of death!
At once ten thousand drums begin,
With one long thunder-peal the ear assailing;
Ten thousand voices then join in,
And with one deep and general din
Pour their wild wailing.

The song of praise is drown'd

Amid that deafening sound;

You hear no more the trumpet's tone, You hear no more the mourner's moan, Though the trumpet's breath, and the dirge of death, Mingle and swell the funeral yell. But rising over all in one acclaim Is heard the echo'd and re-echo'd name, From all that countless rout:

Arvalan! Arvalan!

Arvalan! Arvalan!

Ten times ten thousand voices in one shout
Call Arvalan! The overpowering sound,
From house to house repeated rings about,
From tower to tower rolls round.

The death-procession moves along;
Their bald heads shining to the torches' ray,
The Bramins lead the way,
Chanting the funeral song.
And now at once they shout,
Arvalan! Arvalan!

With quick rebound of sound,
All in accordant cry,

Arvalan! Arvalan!

The universal multitude reply.
In vain ye thunder on his ear the name!

Would ye awake the dead?
Borne upright in his palankeen,
There Arvalan is seen!

A glow is on his face-a lively red;
It is the crimson canopy

Which o'er his cheek the reddening shade hath shed.
He moves-he nods his head-

But the motion comes from the bearers' tread,
As the body, borne aloft in state,

Sways with the impulse of its own dead weight.
Close following his dead son, Kehama came,
Nor joining in the ritual song,

Nor calling the dear name;
With head depress'd and funeral vest,
And arms enfolded on his breast,

Silent and lost in thought he moves along.
King of the world, his slaves unenvying now
Behold their wretched Lord; rejoiced they see
The mighty Rajah's misery;

For Nature in his pride hath dealt the blow,
And taught the master of mankind to know
Even he himself is man, and not exempt from woe.

From The Curse of Kehama.

AERIAL MUSIC.

By this the stars

Grew dim; the glow-worm hath put out her lamp; The owls have ceased their night-song. On the top Of yon magnolia the loud turkey's voice

Is heralding the dawn; from tree to tree

Extends the wakening watch-note, far and wide,
Till the whole woodlands echo with the cry.
Now breaks the morning; but as yet no foot
Hath mark'd the dews, nor sound of man is heard.
Then first Ocellopan beheld, where near,
Beneath the shelter of a half-roof'd hut,
A sleeping stranger lay. He pointed him.
To Tlalala. The Tiger look'd around:
None else was nigh-Shall I descend, he said,
And strike him? here is none to see the deed.

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