To make oppression bitter; or, ere this, Why, what an ass am I? This is most brave; Fye upon't! foh! About my brains! Humph! I have heard, That guilty creatures sitting at a play, ACT III. SCENE I.-A Room in the Castle. [Exit. Enter KING, QUEEN, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN. King. And can you, by no drift of conference Ros. He does confess, he feels himself distracted; Guil. Nor do we find him forward to be sounded; But, with a crafty madness keeps aloof, Queen. Did he receive you well? Ros. Most like a gentleman. Guil. But with much forcing of his disposition. Ros. Niggard of question; but, of our demands, Most free in his reply. Queen. To any pastime? Did you assay him Ros. Madam, it so fell out, that certain players This night to play before him. Pol. 'Tis most true: And he beseech'd me to entreat your majesties, To hear and see the matter. King. With all my heart; and it doth much content me To hear him so inclin'd. Good gentlemen, give him a further edge, And drive his purpose on to these delights. Ros. We shall, my lord. King. [Exeunt ROSENCRANTZ and GUILDENSTERK Sweet Gertrude, leave us too : For we have closely sent for Hamlet hither; That he, as 'twere by accident, may here Affront Ophelia : Her father, and myself (lawful espials,) Will so bestow ourselves, that, seeing, unseen, We may of their encounter frankly judge: And gather by him, as he is behav'd, If't be the affliction of his love or no, That thus he suffers for. Queen. I shall obey you : And, for your part, Ophelia, I do wish, That your good beauties be the happy cause Of Hamlet's wildness; so shall I hope your virtues Will bring him to his wonted way again, To both your honors. Oph. Madam, I wish it may. [Exit QUEEN Pol. Ophelia, walk you here :-Gracious, so please you, We will bestow ourselves :---Read on this book; That show of such an exercise may color Your loneliness. - We are oft to blame in this, 'Tis too much prov'd, that, with devotion's visage, And pious action, we do sugar o'er The devil himself. King. O, 'tis too true! how smart A lash that speech doth give my conscience ! Pol. I hear him coming; let's withdraw, my lord. [To OPHELIA. [Exeunt KING and POLONIUS. Enter HAMLET. Ham. To be, or not to be, that is the question :ï Whether 'tis nobler in the mind, to suffer Or to take arms against a sea of troubles, Oph. Good my lord, How does your honor for this many a day? Oph. My lord, I have remembrances of yours That I have longed long to re-deliver; I pray you, now receive them. Ham. I never gave you aught. No, not I; Oph. My honor'd lord, you know right well, you did; And, with them, words of so sweet breath compos'd Hamlet falls into a wild extravagance of speech, and then exito. Oph. O, what a noble mind is here o'erthrown! And I, of ladies most deject and wretched, To have seen what I have seen, see what I see Re-enter KING and POLONIUS. King. Love! his affections do not that way tend; Thus set it down; He shall with speed to England Pol. It shall do well; but yet I do believe, It shall be so: SCENE II.- A Hall in the same. Enter HAMLET, and certain Players. Exeunt. Ham. Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue: but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus; but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness. O, it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part are capable of nothing but inexplicable dumb shows, and noise: I would have such a fellow whipped for o'er o'erdoing Termagant; it cut-herods Herod: pray you, avoid it. 1st Play. I warrant, your honor. Ham. Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure. Now this, overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of which one, must, in your allowance, o'erweigh a whole theatre of others. O, there be players, that I have seen play, and heard others praise, and that highly,-not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, Pagan, nor man, have so strutted, and bellowed, that I have thought some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably. 1st Play. I hope, we have reformed that indifferently with us. Ham. O, reform it altogether. And let those, that play your clowns, speak no more than is set down for them; for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be considered: that's villanous; and shows a most pitiful ambition in the fool that uses it. Go, make you ready [Exeunt Players. Ham. What, ho; Horatio! Enter HORATIO. Hor. Here, sweet lord, at your service. Ham. Horatio, thou art e'en as just a man As e'er my conversation cop'd withal. Hor. O, my dear lord, Ham. Nay, do not think I flatter: For what advancement may I hope from thee, That no revenue hast, but thy thy good spirits, To feed and clothe thee? Why should the poor be flatter'd? No, let the candied tongue lick absurd pomp; And crook the pregnant hinges of the knee, Where thrift may follow fawning. Dost thou hear? |