13. The Story of Opsinous continued. Hawkesworth. 14. The Story of Opsinous concluded. Hawkesworth. 15. The Insolence and Absurdity of Advertisements by Quacks. Pernicious Consequences of granting 16. Of instructing by Fiction. 17. Curiosity necessary to Entertainment and Know- ledge. Story of Mr. Friendly and his Nephew. 18. Critical remarks upon Fables. Fable of the Dog and Shadow, upon a new Plan. Hawkesworth. 19. Proposals to improve the Dramatic Entertainment 20. Imperceptible Deviation to Vice. Moral Use of Punishment. Remonstrances of Conscience uni- versal. Amurath, an Eastern Story. 23. Scheme of a new Memorandum Book for the Use of the Ladies, with a Specimen. 24. A Parallel between an Evening spent at the Play. house and the several Stages of Life. 25. Infelicities of Matrimony produced by an imprudent Choice: exemplified in many characters. 26. Right of the Town to suppress dramatic Perform- 27. An allegorical Letter from Night. ANON.--Requi- sites to the successful Practice of Physic. 28. The Practice of the positive Duties of Religion in- 30. The Ladies directed in the Choice of a Husband. 31. The Origin of Cunning; an Allegory. 32. Religion the only Foundation of Content: an 33. Indirect Quarreling in Company censured. 34. Folly of Extravagance. The Story of Misargyrus. 35. Plan of a new Paper called the Beau Monde. 36. Directions to the Ladies, for their Conduct to a 37. Happiness properly estimated by its Degree in what- ever Subject. Remarkable Instances of Cruelty Elegy on a Blackbird. Jago. 38. No Life pleasing to God, that is not useful to Man; 40. The Existence of Evil, and unequal Distribution of Happiness and Misery, necessary to exercise 41. Sequel to the Story of Misargyrus. Johnson. 42. Folly of pleading Inability to discharge the Duties 43. Adventures of a Halfpenny. 44. Turpitude and Infainy of betraying private Conver- 45. The Difficulty of forming Confederacies. Johnson. As every man in the exercise of his duty to himself and the community, struggles with difficulties which no man has always surmounted, and is exposed to dangers which are never wholly escaped ; life has been considered as a warfare, and courage as a virtue more necessary than other. It was soon found, that without the exercise of courage, without an effort of the mind by which immediate pleasure is rejected, pain despised, and life itself set at hazard, much cannot be contributed to the public good, nor such happiness procured to ourselves as is consistent with that of others. But as pleasure can be exchanged only for pleasure, every art has been used to connect such gratifications with the exercises of courage as compensate for those which are given up: the pleasures of the imagination are substituted for those of the senses, and the hope of future enjoyments for the possession of present; and to decorate these plea VOL. I. B a sures and this hope has wearied eloquence and exhausted learning. Courage has been dignified with the name of heroic virtue; and heroic virtue has deified the hero: his statue, hung round with ensigns of terror, frowned in the gloom of a wood or a temple; altars were raised before it, and the world was commanded to worship. Thus the ideas of courage, and virtue, and honour are so associated, that wherever we perceive courage, we infer virtue and ascribe honour; without considering whether courage was exerted to produce happiness or misery, in the defence of freedom or support of tyranny. But though courage and heroic virtue are still confounded, yet by courage nothing more is generally understood than a power of opposing danger with serenity and perseverance. To secure the honours which are bestowed upon courage by custom, it is indeed necessary that this danger should be voluntary: for a courageous resistance of dangers to which we are necessarily exposed by our station is considered merely as the discharge of our duty, and brings only a negative reward, exemption from infamy. He who, at the approach of evil, betrays his trust or deserts his post is branded with cowardice; a name, perhaps, more reproachful than any other, that does not imply much greater turpitude: he who patiently suffers that which he cannot without guilt avoid escapes infamy, but does not obtain praise. It is the man who provokes danger in its recess, who quits a peaceful retreat, where he might have slumbered in ease and safety, for peril and labour, to drive before a tempest, or to watch in a camp; the man who descends from a precipice by a rope at midnight, to fire a city that is besieged; or who ventures forward into regions of perpetual cold and |
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