Yearbook of Comparative Criticism, Volume 1Joseph Strelka |
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Page 84
... historical sequence : ( 1 ) the symbolic art form , ( 2 ) the classi- cal art form , and ( 3 ) the romantic art form . For Hegel the focal point " toward which the symbolic art form aspires and in whose attainment it dissolves ...
... historical sequence : ( 1 ) the symbolic art form , ( 2 ) the classi- cal art form , and ( 3 ) the romantic art form . For Hegel the focal point " toward which the symbolic art form aspires and in whose attainment it dissolves ...
Page 131
... historical power struggles as well . This interpretation was encouraged even more by the form of the narration . Since Jünger employed one of the two brothers as narrator , the impression is given that the narrating first - person is ...
... historical power struggles as well . This interpretation was encouraged even more by the form of the narration . Since Jünger employed one of the two brothers as narrator , the impression is given that the narrating first - person is ...
Page 159
... historical components . If the author rejects an interpretation along the lines of contem- porary history , he is not required to explain his reasons in detail , but the text must prove his claims . The commentary pointed to the factual ...
... historical components . If the author rejects an interpretation along the lines of contem- porary history , he is not required to explain his reasons in detail , but the text must prove his claims . The commentary pointed to the factual ...
Contents
RILKES GAZING | 29 |
CONCERNING THE PROBLEM OF TRANSFORMATION | 48 |
WORDS ANENT LOGOLOGY | 72 |
Copyright | |
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according allegory angel animal appears archetypal aspect Barlach basic becomes beginning brothers Calan called chapter character Chief Ranger comparative conception concerned connection consciousness considered criticism culture death described direction divine earth especially evil example existence experience expression fact fairy father feel figure forces formula Frye function gives Goethe hand historical human idea interpretation Jung Jünger kind language less light literary literature magical Manet matter meaning method Mother motifs mystical myth mythical narrator nature Noah object original person phase poet poetry possible present principle problem psychology question reality reason reference regard relation relationship remains represents says scene seems sense side soul speak stand structure symbol takes tale theme theory things thinking thought tion tradition transformation turn unconscious understanding University values