Shakespeare as Literary DramatistIn this groundbreaking study, Lukas Erne argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. The usual distinction that has been set up between Ben Jonson on the one hand, carefully preparing his manuscripts for publication, and Shakespeare the man of the theatre, writing for his actors and audience, indifferent to his plays as literature, is questioned in this book. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. |
From inside the book
Results 1-5 of 63
Page
... evidence from early published playbooks , Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these literary texts would have been abridged for the stage because they were too long for performance ...
... evidence from early published playbooks , Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these literary texts would have been abridged for the stage because they were too long for performance ...
Page 10
... evidence that suggests that the increase of the number of patents to authors in the early seventeenth century was due to " authorial dissatisfaction with the restrictions imposed by the system of publisher's copyright " ( 31 ) . See ...
... evidence that suggests that the increase of the number of patents to authors in the early seventeenth century was due to " authorial dissatisfaction with the restrictions imposed by the system of publisher's copyright " ( 31 ) . See ...
Page 14
... evidence suggests that playbooks started being read , collected , bound , and catalogued from the beginning of the seventeenth century . For many adherents to the now omnipresent performance criticism , the basic premise underlying ...
... evidence suggests that playbooks started being read , collected , bound , and catalogued from the beginning of the seventeenth century . For many adherents to the now omnipresent performance criticism , the basic premise underlying ...
Page 19
... evidence of a tightly run business in which playwrights would have neither the time nor the financial resources to produce more than was necessary . Nor does Henslowe seem to have been willing to pay for more than was necessary . That ...
... evidence of a tightly run business in which playwrights would have neither the time nor the financial resources to produce more than was necessary . Nor does Henslowe seem to have been willing to pay for more than was necessary . That ...
Page 50
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
The legitimation of printed playbooks in Shakespeares time | 31 |
The making of Shakespeare | 56 |
Shakespeare and the publication of his plays I the late sixteenth century | 78 |
Shakespeare and the publication of his plays II the early seventeenth century | 101 |
The players alleged opposition to print | 115 |
TEXTS | 129 |
Why size matters the two hours traffic of our stage and the length of Shakespeares plays | 131 |
Editorial policy and the length of Shakespeares plays | 174 |
Bad quartos and their origins Romeo and Juliet Henry V and Hamlet | 192 |
Theatricality literariness and the texts of Romeo and Juliet Henry V and Hamlet | 220 |
The plays of Shakespeare and his contemporaries in print 15841623 | 245 |
Heminge and Condells Stolne and surreptitious copies and the Pavier quartos | 255 |
Shakespeare and the circulation of dramatic manuscripts | 259 |
262 | |
278 | |
Other editions - View all
Common terms and phrases
abridgement acted actors Andrew Gurr anonymous appeared argued argument Beaumont and Fletcher Bibliography Blayney Cambridge University Press chapter Clarendon Press comedies copy dramatist Edward England evidence extant Folio text Greg Gurr Hamlet hath haue Heminge and Condell Henry Heywood Ibid John Jonson King Lear King's King's Men length Library lines literary London long texts Lord Chamberlain's Lord Chamberlain's Men Love's Labour's Lost manuscript playbooks memorial reconstruction Merry Wives modern omitted Oxford University Press passages Pavier play's players playhouse playtexts playwrights poems printed playbooks printer private transcripts Publication of Playbooks quarto of Hamlet quarto of Romeo quote readers revision Richard Richard III Robert Romeo and Juliet scene scholars script second quarto seems seventeenth century Shakespeare wrote Shakespeare's plays Shrew sixteenth Sonnets Spanish Tragedy Stationers Studies suggests Tamburlaine Textual Companion theater Thomas title pages Troilus and Cressida W. W. Greg William Shakespeare written
Popular passages
Page 5 - But be contented : when that fell arrest Without all bail shall carry me away, My life hath in this line some interest, Which for memorial still with thee shall stay.