my own experience, that they have a value far beyond their subserviency to worldly prosperity; and will supply, in every situation, the purest and most permanent enjoyment-at once adorning and relieving the toils and vexations of a busy life, and refining and exalting the enjoyments of a social one. It is impossible, however, that those studies can be pursued to advantage in so great an establishment as this, without the most dutiful observance of that discipline and subordination without which so numerous a society must unavoidably fall into the most miserable disorder, and the whole benefits of its arrangements be lost. As one of the guardians of this discipline, I cannot bid you farewell, therefore, without most earnestly entreating you to submit cheerfully, habitually, and gracefully, to all that the parental authority of your instructors may find it necessary to enjoin-being fully persuaded, that such a free and becoming submission is not only the best proof of the value you put on their instructions, but, in so far as I have ever observed, the most unequivocal test of a truly generous and independent character. "I have now only to repeat my thanks for the great honour I this day receive at your hands-and for the kindness with which you have listened to these observations. "After Mr Jeffrey had sat down, the cheers and acclamations of the audience were continued for several minutes." The few whose cup with worldly wealth ran o'er, With liberal kindness shar'd it with the poor, And gave to others trifles made to please, Received with honest joy, and worn with ease. Capricious fashion did not here preside, Still, still I see your cordial smiles adorn The heart's blest festival, the new-year's morn! Felicia, when I hail this day's return, I feel my heart with warmer kindness burn. 0, were my hand from chill restraint as free, What precious gifts would I select for thee! Not ornaments of price to deck a face Where Nature's self has lavish'd every grace, Or bind a form in fashion's varying zone, For all thy modest wants at once provide, Then what, Felicia, should I wish for thee? muse, And what has truth's unfailing lore supplied, To be through life thy ornament and guide, And what the blessings which domestic life In a full stream her copious bounty flowed, Then lodged it in a form surpassing fair, 63 Thy opening youth with wholesome nurture rear'd, By sacred truth enlightened, blest, and cheer'd, Through no blind maze of wild conjecture ran, Nor sought the wisdom from above to scan, Thy tuneful lay has traced Hesperia's fields, Pour'd light on fallen Grecia's sad remains, Her desolated shores and ruined fanes, And with the music of thy plaintive strain, Recalled their banished deities again; Again bade Phoebus pour the flood of day, And Cynthia shed again her silver ray; Yet not by fancy's dreams from love beguiled, Unheeding whether fortune frowned or smiled, Thy early vows were given with glad accord, To him thy youthful bosom's chosen lord, To both were truth, and love, and merit given, And for the rest they safely trusted heaven, And 'safely still may trust. Those lovely boys, Solace of care, and source of purest joys, To pour the fresh instruction on the mind, So shall in ripen'd years their grateful love, Like guardian spirits round their parents move, What coaches, jewels, pictures are dis- The feeble aims of vanity to aid ? Thrice blest Felicia from the world re- Yet in seclusion by the world admir'd, Enrich'd by culture, or by taste refin'd, MODERN DECAMERON. OUR two friends have been laid up with bad colds since their late nocturnal adventure, and we do not know when we shall again set eyes on them. They are wheazing old men, and we cannot expect to see much of them in this cold wet weather. But although we have not got them to rummage through our papers, or to enlighten us with their ingenious remarks upon them, we think it a duty to inspect our repositories ourselves, and to draw from their dread abode" the stores of genius, which, for any thing we know to the contrary, they may contain. There are, there, we are well aware, many embryo * poets supplicating to get into the light of day, and our heart really cannot any longer resist the pitiful voices, "Infantum animae flentes in limine primo," which burst upon us from so many dusty corners, whenever we open any of our drawers. To attempt to inspect these senile or juvenile performances with any thing of a critical eye, is quite out of the question; but we shall give our readers a pretty large specimen of them. They may take them *A misprint probably for Embro', the Scotch pronunciation of the name of our modern Athens. By the way, what has become of the Parthenon and its cloquent advocate?-SCRIBL. for a new-year's gift,and if they are LADY OF THE LAKE. THE bright touch of genius And lend it a beauty That lives but in thought. Around it will bloom; Though decking the tomb. A foretaste of heaven.- "Tis near to thy home, My spirit will roam! The swelling Hosanna And the goblin's grim den ;* Led on the foray ;- But O! when among Blooms not upon earth!) And placid Loch Katrine Of "Roderick Vich Alpine Glasgow, Sept. 1820. boat-song" T. A. Now follows Helen Dhu-But here we must break off, as we know our readers will have much more delight in reading the following account, which has this moment come to hand, of Barry Cornwall's new tragedy, Mirandola, just performed with infinite applause at Covent Garden,-with a quotation or two, extracted from the Literary Gazette. MIRANDOLA. "THE story of Mirandola is exceedingly simple: the incidents are • Coir nan uriskin; or the Goblin's Cave on Benvenue. TOL. VIII. very few, and those on which the catastrophe hinges are even commonplace; yet such is the skill with which the whole is wrought, so fine is the taste of the texture, and so many are the gems of poesy with which the web is studded, that every thing but admiration is forgotten as it is unfolded to the view. It has no pomp of style, no majesty-but the majesty of nature; it has no ornaments, no laboured graces-but the brief sweet breathings of a poetic mind; it has no affecting wonder, no road to the heart-but the deep pathos of truth, under circumstancess of human affliction, and the pourings out of souls wounded by disappointment, stung by treachery, blighted by ingratitude, infuriated by jealousy, and maddened by despair. And this is genuine inspiration: these are the real glories of verse, which would force us to overlook as nothing a hundred-fold greater blemishes than any that can be detected in Mirandola. But to the proof. "Mirandola is a chaster Parisina. The Duke, under the supposition of his son Guido's death, and unknowing of their original loves, weds Isidora, the sworn bride of Guido. The letters between the parties have been intercepted and suppressed by Isabella, the Duke's sister, (whose ambition secks the throne for her son,) and her agent. - Gheraldi, a monk, whom she has seduced by the promise of a Cardinal's hat. Guido returns to Mirandola-is informed of his hopes-and yet, as far as a broken heart can be reconciled, is reconciled to his father and to Isidora. But the plotters of evil take care to fill the breast of Mirandola with jealousy, against which his nobler sentiments strive to shield him in vain. The sight on his hand of a ringpledge of his love, obtained from his Duchess and conveyed to Guido as a token of her friendship, fills him with the bitterest suspicions; to allay which Guido resolves to abandon Mirandola for ever. He declares he will not see Isidora again, and after a fine. scene, his father bids him farewell. Unhappily, however, Isidora, through their mutual friend Casti, implores an interview, to procure the restora tion of the ring; to which Guido asscnts. Meanwhile Casti discovers the treachery of Isabella and Gheraldi, from the dropping of some papers by the latter in his cell, and rushes forth to expose the traitors to the Duke. I He is too late. In the interim Mirandola has been guided to the final interview of the lovers in the garden; and thus convinced of his falsehood, dooms his son to instant death. He is led out to execution; Casti comes, and shows the villany of Isabella; the crisis arrives, and the agonized parent, imploring in mercy that his cruel orders may be prevented, hears the sound of the musquetry which seals the fate of his only child, and his own desolation. Nature struggles through a few throes, and he expires. "The first scene, in which the Duke and his young wife appear, exquisitely opens out his impetuous and suspicious, though generous character; and the boundless joy of its close prepares us for the coming of sorrow and Guido. Mirandola thus speaks: When joy is in her eye 'tis like the light |