Literary and Graphical Illustrations of Shakspeare, and the British Drama: Comprising an Historical View of the Origin and Improvement of the English Stage, and a Series of Critical and Descriptive Notices of Upwards of One Hundred of the Most Celebrated Tragedies, Comedies, Operas, and Farces. Embellished with More Than Two Hundred Engravings on Wood |
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Page viii
... called Christ's Passion , the prologue to which states , that the Virgin Mary was then for the first time brought upon the stage . The early commercial intercourse between Constantinople and Italy , soon introduced these performances ...
... called Christ's Passion , the prologue to which states , that the Virgin Mary was then for the first time brought upon the stage . The early commercial intercourse between Constantinople and Italy , soon introduced these performances ...
Page ix
... called , wherein were exhibited some of the mysteries or events of Scripture - story ; and MIRACLES , which were of the nature of tragedy , representing the acts or martyrdom of a Saint of the Church . The introduction of this species ...
... called , wherein were exhibited some of the mysteries or events of Scripture - story ; and MIRACLES , which were of the nature of tragedy , representing the acts or martyrdom of a Saint of the Church . The introduction of this species ...
Page x
... called The Harrowing of Hell , or the triumphant entry of Christ into the infernal world , and delivering thence the souls of the faithful departed . It was performed by the charity , or choir , boys of Hyde Abbey and St. Swithin's ...
... called The Harrowing of Hell , or the triumphant entry of Christ into the infernal world , and delivering thence the souls of the faithful departed . It was performed by the charity , or choir , boys of Hyde Abbey and St. Swithin's ...
Page xi
... called Pageant - houses , con- sisted of large and high frame - carriages , mounted on six wheels , and formed like dwellings containing two stories ; in the lower of which the performers dressed , and played upon the upper , which was ...
... called Pageant - houses , con- sisted of large and high frame - carriages , mounted on six wheels , and formed like dwellings containing two stories ; in the lower of which the performers dressed , and played upon the upper , which was ...
Page xii
... called INTERLUDES , or facetious and satirical dialogues , which were commonly played at the festivals held at the Inns of Court . After various alterations and im- provements they became MASQUES , the serious parts of which were ...
... called INTERLUDES , or facetious and satirical dialogues , which were commonly played at the festivals held at the Inns of Court . After various alterations and im- provements they became MASQUES , the serious parts of which were ...
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Literary and Graphical Illustrations of Shakspeare, and the British Drama ... William Shakespeare No preview available - 2017 |
Common terms and phrases
acted at Drury-Lane action actors admired afterwards alteration appeared applause attributed Bannister Barry called celebrated character Charles Cibber Colman Comedy comic commences Coriolanus DAVID GARRICK death Dowton Drury-Lane Duke Duke's Theatre edition eminent England ENGLISH STAGE entered at Stationers entertainment Epilogue excellent exhibited Falstaff Fanny Kemble Farce February folio Garrick Haymarket Henry IV humour J. P. Kemble J. R. Planché Jane Shore King Henry Lady Lincoln's Inn Fields London Lord Macklin Malone Miss modern stage nights October old play Opera original performers originally produced Oroonoko perhaps plot Pope present drama present piece Prince principal printed probably produced at Covent-Garden produced at Drury-Lane Prologue published quarto Queen Rackett racter Red Bull Theatre revived scene is laid season Shakspeare's Siddons songs story success supposed talent thee Theophilus Cibber Thomas thou Tom Thumb Tragedy whilst William Davenant WILLIAM SHAKSPEARE written Young
Popular passages
Page 33 - All murder'd : for within the hollow crown That rounds the mortal temples of a king Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Page 63 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw.
Page 45 - O God ! methinks it were a happy life To be no better than a homely swain : To sit upon a hill, as I do now, To carve out dials quaintly, point by point...
Page 21 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Page 69 - I will in Cassio's lodging lose this napkin, And let him find it. Trifles light as air, Are, to the jealous, confirmations strong As proofs of holy writ.
Page 31 - For heaven's sake, Hubert, let me not be bound ! Nay, hear me, Hubert ! — drive these men away, And I will sit as quiet as a lamb ; I will not stir, nor wince, nor speak a word, Nor look upon the iron angerly :5 Thrust but these men away, and I'll forgive you, Whatever torment you do put me to.
Page 154 - Be to her virtues very kind ; Be to her faults a little blind ; Let all her ways be unconfin'd ; And clap your padlock — on her mind.
Page 100 - Dr. Swift had been observing once to Mr. Gay, what an odd pretty sort of a thing a Newgate Pastoral might make. Gay was inclined to try at such a thing for some time; but afterwards thought it would be better to write a comedy on the same plan. This was what gave rise to The Beggar's Opera.
Page 64 - The younger sort take much delight in Shakespeare's Venus and Adonis ; but his Lucrece, and his tragedy of Hamlet Prince of Denmarke, have it in them to please the wiser sort, 1598.
Page 40 - How would it have joyed brave Talbot (the terror of the French) to think that after he had lain two hundred years in his tomb, he should triumph again on the stage, and have his bones new embalmed with the tears of ten thousand spectators at least (at several times) who in the tragedian that represents his person, imagine they behold him fresh bleeding...