The Cambridge Companion to Shakespeare's History PlaysPublisher Description (unedited publisher data) Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Shakespeare and the early modern history play | 25 |
Pageants masques and history | 43 |
Elizabethan historiography and Shakespeares sources | 57 |
Womens roles in the Elizabethan history plays | 71 |
the poetical reinvention | 106 |
changing perspectives | 126 |
ROBYN BOLAM | 141 |
Henry IV Parts 1 and 2 | 158 |
Other editions - View all
Common terms and phrases
action appears audience authority battle become beginning Brutus Bullingbrook Caesar called Cambridge Companion century character chronicles claim contemporary court created critical crown culture cycle death drama Duke Earl early edited Edward Elizabeth Elizabethan England English English history Falstaff father figure forces France French garden gives Gloucester hand Henry Henry VI Henry's history plays Holinshed honour James John killed King King John language later lines live London looks Lord Margaret moral murder nature never NOTES offers opening performance political present Prince production provides Queen reference reign representation represented rhetoric Richard Richard III role Roman Rome royal says scene seems sense serve Shakespeare sources speaks speech stage success suggest theatre theatrical Thomas thou throne tragedy truth Tudor turn Wars women writing York