Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven

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Oxford University Press, USA, 1998 - Music - 307 pages
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Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
 

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Contents

Introduction
3
Preliminaries
7
TightKnit Themes
33
Looser Formal Regions
95
FullMovement Forms
193
Glossary of Terms
253

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About the author (1998)

William E. Caplin is at McGill University.

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