Caribbean Cultural IdentitiesGlyne A. Griffith "The eight essays in this edition analyze Caribbean culture less as commodity to be consumed than as ontological device and discursive tool/weapon."--BOOK JACKET. |
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Glyne A. Griffith. Caribbean Cultural Identities Edited by GLYNE GRIFFITH ( Continued from front flap ) social - science analysis. BUCKNELL REVIEW Front Cover.
Glyne A. Griffith. Caribbean Cultural Identities Edited by GLYNE GRIFFITH ( Continued from front flap ) social - science analysis. BUCKNELL REVIEW Front Cover.
Page 5
... Cover Imagery in Caribbean Music MIKE ALLEYNE 123 The Project of Becoming for Marlene Nourbese - Philip and Erna Brodber PATRICIA SAUNDERS 133 Struggling with a Structure : Narrating Gender and Agency across Discursive Boundaries GLYNE ...
... Cover Imagery in Caribbean Music MIKE ALLEYNE 123 The Project of Becoming for Marlene Nourbese - Philip and Erna Brodber PATRICIA SAUNDERS 133 Struggling with a Structure : Narrating Gender and Agency across Discursive Boundaries GLYNE ...
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... cover imagery : The inevitable reduction of cover size on the CD insert versus the vinyl album sleeve is a crucial issue . It provides both a symbolic indication of a confining reduction of artistic scope and options within the 12 ...
... cover imagery : The inevitable reduction of cover size on the CD insert versus the vinyl album sleeve is a crucial issue . It provides both a symbolic indication of a confining reduction of artistic scope and options within the 12 ...
Page 13
... cover imagery in Anglophone Caribbean popular music . Returning to literary analysis , Patricia Saunders analyzes the " project of becoming " in Marlene Nourbese - Philip's Discourse on the Logic of Language and Erna Brodber's Louisiana ...
... cover imagery in Anglophone Caribbean popular music . Returning to literary analysis , Patricia Saunders analyzes the " project of becoming " in Marlene Nourbese - Philip's Discourse on the Logic of Language and Erna Brodber's Louisiana ...
Page 55
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Contents
17 | |
33 | |
Calypso and Caribbean Identity | 55 |
The Pleasures of Exile in Selected West Indian Writing Since 1987 | 73 |
Haiti the Caribbean and the Black Atlantic | 104 |
Album Cover Imagery in Caribbean Music | 123 |
The Project of Becoming for Marlene NourbesePhilip and Erna Brodber | 133 |
Narrating Gender and Agency across Discursive Boundaries | 160 |
Common terms and phrases
African American agency album cover argues artist assertion Barbados bean Bolo Brodber C. L. R. James calypso calypsonians Carib Caribbean cultural Caribbean identity Caribbean music Caribbean women's writing colonial concept construction contemporary context creative Creole critical discourse dominant Ella's English Enigma Erna Brodber essay ethnic example experience female fiction gender George Lamming Gilroy GLYNE GRIFFITH Guyana Haiti Haitian identity human imagination Indo-Trinidadian island Jamaica Kincaid journey kind labor language literary Louisiana Lucy ment metaphysical mother Naipaul narrative narrator narrator's Natural Rebels Nourbese-Philip novel O'Callaghan perspective philosophy plantation political postcolonial present question region represent representation resistance ribbean Rohlehr Shouter Baptist slave women's slavery social society songs space speak stereotypical strategies structure struggle suggests theme tion tive tongue tradition Trinidad Trinidadian University V. S. Naipaul village vision visual voyage West Indian literature West Indies woman women
Popular passages
Page 169 - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty ! make thick my blood ; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose...
Page 163 - as a deconstructivist," I cannot recommend that kind of dichotomy at all, yet, I feel that definitions are necessary in order to keep us going, to allow us to take a stand. The only way that I can see myself making definitions is in a provisional and polemical one: I construct my definition as a woman not in terms of a woman's putative essence but in terms of words currently in use. "Man" is such a word in common usage.
Page 148 - A tapering, blunt-tipped, muscular, soft and fleshy organ describes (a) the penis. (b) the tongue. (c) neither of the above. (d) both of the above. In man the tongue is (a) the principal organ of taste. (b) the principal organ of articulate speech. (c) the principal organ of oppression and exploitation. (d) all of the above.
Page 26 - What strikes us in this judicial cruelty and in the joy the people felt at it, is rather brutality than perversity. Torture and executions are enjoyed by the spectators like an entertainment at a fair. The citizens of Mons bought a brigand, at far too high a price, for the pleasure of seeing him quartered, " at which the people rejoiced more than if a new holy body had risen from the dead.
Page 97 - His is the world of landlords to destitute tenants, open-all-hours corner grocers, owners of video shops, unskilled labour: In the swift journey between Tooting Bee and Balham, we re-lived the passage from India to Britain, or India to the Caribbean to Britain, the long journeys of a previous century across unknown seas towards the shame of plantation labour...
Page 163 - I cannot speak of feminism in general. I speak of what I do as a woman within literary criticism. My own definition of a woman is very simple: it rests on the word "man" as used in the texts that provide the foundation for the corner of the literary criticism establishment that I inhabit. You might say at this point, defining the word "woman" as resting on the word "man
Page 116 - The history of the Black Atlantic . . . continually criss-crossed by the movements of black people - not only as commodities but engaged in various struggles towards emancipation, autonomy and citizenship...
Page 7 - Literatures at the Cave Hill Campus of The University of the West Indies.