Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 105
... later than this play , Donne wrote , ' Chil- dren kneele to aske blessing of Parents in England , but where else ? ' Still later , Evelyn commented on the childish dutifulness of grown children before their parents . Against such a ...
... later than this play , Donne wrote , ' Chil- dren kneele to aske blessing of Parents in England , but where else ? ' Still later , Evelyn commented on the childish dutifulness of grown children before their parents . Against such a ...
Page 225
... later feel a self - satisfaction akin to Petruchio's at the thought that his now obedient wife has allowed him to tame her . Beatrice's confession of her readiness to yield to Bene- dick's " loving hand " provides the rationale for a ...
... later feel a self - satisfaction akin to Petruchio's at the thought that his now obedient wife has allowed him to tame her . Beatrice's confession of her readiness to yield to Bene- dick's " loving hand " provides the rationale for a ...
Page 238
... later plays . The wom- en in Love's Labor's Lost mask themselves , and they go into seclusion at the end ; Kate plays shrew and Titania evades Oberon ; Julia , Rosalind , Portia , and Viola are disguised . The literal masks of Beatrice ...
... later plays . The wom- en in Love's Labor's Lost mask themselves , and they go into seclusion at the end ; Kate plays shrew and Titania evades Oberon ; Julia , Rosalind , Portia , and Viola are disguised . The literal masks of Beatrice ...
Contents
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Copyright | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young