Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 61
... fact on which certain of its chroniclers and remem- brancers have improvised that slow , sad , eschatologi- cal music which is typified by these generalizations of Maurice Baring's : The actor's art dies with him ; but the rumour of it ...
... fact on which certain of its chroniclers and remem- brancers have improvised that slow , sad , eschatologi- cal music which is typified by these generalizations of Maurice Baring's : The actor's art dies with him ; but the rumour of it ...
Page 99
... fact that , in spite of his psychological inequity , his division of the kingdom was ' just . ' He divided the land into three rich parts , intending for his favourite child a third evidently not larger , but ' more opulent , ' than ...
... fact that , in spite of his psychological inequity , his division of the kingdom was ' just . ' He divided the land into three rich parts , intending for his favourite child a third evidently not larger , but ' more opulent , ' than ...
Page 271
... fact that his taming process is a coercive , social practice designed to dis- cipline , control , and subordinate Kate . To be sure , at certain moments in the play , Petruchio does not direct- ly dominate Kate : on the road to Padua ...
... fact that his taming process is a coercive , social practice designed to dis- cipline , control , and subordinate Kate . To be sure , at certain moments in the play , Petruchio does not direct- ly dominate Kate : on the road to Padua ...
Contents
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Copyright | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young